Senior Operator: NextLAB
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Senior Operator: NextLAB
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Senior Operator: NextLAB
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Digital Imaging Technician
Trick Shot (2015)
Directed by: Evan Kaufmann
Cinematography by: Gale Tattersall
Edited by: Zach Prichard
Cameras: Canon EOS-C300 Mark II Camera
Editing System: Adobe Premiere Editing System
Senior NextLAB Operator - 3 Episodes, 2020
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
Senior NextLAB Operator
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
NextLAB Operator
Annabelle (2014)
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
NextLAB Field Operator
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
NextLAB Operator
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Additional Dailies Operator: NextLAB
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Dailies Operator
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
NextLAB Operator - 1 Episode, 2012
Chicago Fire (2012)
Directed by: Joe Chappelle, Reza Tabrizi, Sanford Bookstaver, Jann Turner, Jean de Segonzac, Tom DiCillo, Steve Shill, Michael Brandt, Alex Chapple, Michael Slovis, Holly Dale, Eric Laneuville, Leslie Libman, Arthur W. Forney, Dan Lerner, Karen Gaviola, Alik Sakharov, Haze J.F. Bergeron III, Dru Anne Carlson, Jono Oliver, Matt Earl Beesley, Stephen Cragg, Olivia Newman, Bill Johnson, Constantine Makris, Gloria Muzio, Jeffrey Nachmanoff, Darnell Martin, Daniel Sackheim, Rod Holcomb, Karyn Kusama, Fred Berner, Jeffrey G. Hunt, John Hyams, David Rodriguez, James Hanlon, Lin Oeding, Batan Silva, Mark Tinker, Milena Govich, Paul McCrane, Carl Seaton
Cinematography by: Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo
Edited by: Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton
Cameras: ARRI ALEXA Camera
NextLAB Tech
Man & Beast (2012)
Directed by: Dante Ariola
Cinematography by: Jeff Cronenweth
Edited by: Andrea MacArthur
Cameras: Canon EOS-C500 Camera
Lenses: Canon EF Series Lenses
NextLAB Operator
'Chicago Fire' Pilot (2012)
Directed by: Jeffrey Nachmanoff
Cinematography by: Lisa Wiegand
NextLAB Operator
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Assistant: Tommy Reid
Kill the Irishman (2011)
Directed by: Jonathan Hensleigh
Cinematography by: Karl Walter Lindenlaub
Edited by: Douglas Crise
Digitizer
Zombie Apocalypse (2011)
Directed by: Nick Lyon
Cinematography by: Pedja Radenkovic
Edited by: James Kondelik
