Music Supervisor
Five Feet Apart (2019)
Directed by: Justin Baldoni
Cinematography by: Frank G. DeMarco
Edited by: Angela M. Catanzaro
Cameras: ARRI AMIRA Camera
Lenses: Cooke Lenses, Cooke Spherical Lenses
Music Supervisor
The Babysitter (2017)
Directed by: McG
Cinematography by: Shane Hurlbut
Cameras: Red Weapon Dragon Camera
Music Supervisor
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Music Supervisor
Triple 9 (2016)
Directed by: John Hillcoat
Cinematography by: Nicolas Karakatsanis
Edited by: Dylan Tichenor
Score Executive Producer
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Executive In Charge Of Film Music
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Executive In Charge Of Film Music
Nurse 3D (2013)
Directed by: Douglas Aarniokoski
Cinematography by: Boris Mojsovski
Edited by: Andrew Coutts
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Executive In Charge Of Film Music
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Executive In Charge Of Film Music
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Executive In Charge: Of Film Music
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Executive In Charge Of Film Music
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Executive In Charge Of Film Music: Lionsgate
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Executive In Charge Of Music
Madea's Big Happy Family (2011)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Music Supervisor
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Executive In Charge Of Music: Lionsgate
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Executive In Charge Of Music: Lionsgate
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Executive In Charge Of Music
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Music Supervisor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Music Supervisor
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Music Supervisor
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Music Supervisor
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Music Supervisor
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Music Supervisor
Living in Emergency (2008)
Directed by: Mark N. Hopkins
Cinematography by: Sebastian Ischer
Music Executive: Lionsgate
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Music Supervisor
Diminished Capacity (2008)
Directed by: Terry Kinney
Cinematography by: Vanja Cernjul
Edited by: Tim Streeto
Music Supervisor
Tenure (2008)
Directed by: Mike Million
Cinematography by: Steve Yedlin
Edited by: Tom McArdle
Music Supervisor
No End in Sight (2007)
Directed by: Charles Ferguson
Cinematography by: Antonio Rossi
Executive Soundtrack Producer / Music Supervisor
Purple Violets (2007)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
Music Supervisor
Dedication (2007)
Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir
Music Supervisor
The Ten (2007)
Directed by: David Wain
Cinematography by: Yaron Orbach
Edited by: Eric Kissack
Executive Soundtrack Producer
Broken English (2007)
Directed by: Zoe R. Cassavetes
Cinematography by: John Pirozzi
Edited by: Andrew Weisblum
Executive Soundtrack Producer
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Executive Soundtrack Producer
Vacancy (2007)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Music Consultant
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Executive Soundtrack Producer
Fay Grim (2006)
Directed by: Hal Hartley
Cinematography by: Sarah Cawley
Edited by: Hal Hartley
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Executive Soundtrack Producer , Music Supervisor
The Groomsmen (2006)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Music Consultant
Bonneville (2006)
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
Music Consultant
The Last Winter (2006)
Directed by: Larry Fessenden
Cinematography by: G. Magni Ágústsson
Edited by: Larry Fessenden
Executive Soundtrack Producer / Music Supervisor
Friends with Money (2006)
Directed by: Nicole Holofcener
Cinematography by: Terry Stacey
Edited by: Robert Frazen
Music Supervisor
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Music Supervisor
Rx (2005)
Directed by: Ariel Vromen
Cinematography by: Scott Kevan
Edited by: Danny Rafic
Executive Soundtrack Producer / Music Supervisor
Murderball (2005)
Cinematography by: Henry Alex Rubin
Cameras: Panasonic AG-DVX100 Camera
Source Music Consultant
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Music Supervisor
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Executive Soundtrack Producer
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Music Supervisor
The War Within (2005)
Directed by: Joseph Castelo
Cinematography by: Lisa Rinzler
Edited by: Malcolm Jamieson
Music Supervisor
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Music Consultant
Born Into Brothels: Calcutta's Red Light Kids (2004)
Executive Soundtrack Producer
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Executive Soundtrack Producer
Mysterious Skin (2004)
Directed by: Gregg Araki
Cinematography by: Steve Gainer
Edited by: Gregg Araki
Executive Soundtrack Producer
Code 46 (2003)
Directed by: Michael Winterbottom
Edited by: Peter Christelis
Executive Soundtrack Producer / Music Supervisor
My Architect (2003)
Directed by: Nathaniel Kahn
Cinematography by: Robert Richman
Edited by: Sabine Krayenbühl
Executive Soundtrack Producer
The Cooler (2003)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Editing System: Avid Editing System
Music Consultant
Raising Victor Vargas (2002)
Directed by: Peter Sollett
Cinematography by: Tim Orr
Edited by: Myron Kerstein
Music Supervisor
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Music Supervisor
Julien Donkey-Boy (1999)
Directed by: Harmony Korine
Cinematography by: Anthony Dod Mantle
Edited by: Valdís Óskarsdóttir
Music Supervisor
Dark Harbor (1998)
Directed by: Adam Coleman Howard
Cinematography by: Walt Lloyd
Edited by: Annette Davey
Music Coordinator
The Substitute (1996)
Directed by: Robert Mandel
Cinematography by: Bruce Surtees
Edited by: Alex Mackie
