Scott Hersh

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The Holdovers | ShotOnWhat?

Key Makeup Artist

The Holdovers (2023)

Directed by: Alexander Payne

Cinematography by: Eigil Bryld

Edited by: Kevin Tent

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Crown Vic | ShotOnWhat?

Makeup Department Head

Crown Vic (2019)

Directed by: Joel Souza

Cinematography by: Thomas Scott Stanton

Edited by: David Andalman

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

American Animals | ShotOnWhat?

Key Makeup Artist: New York

American Animals (2018)

Directed by: Bart Layton

Cinematography by: Ole Bratt Birkeland

Edited by: Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses: Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

The 5th Wave | ShotOnWhat?

Key Makeup Artist: New York

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Noah | ShotOnWhat?

Makeup Artist

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Men in Black 3 | ShotOnWhat?

Makeup Artist

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fighting | ShotOnWhat?

Additional Makeup Artist

Fighting (2009)

Directed by: Dito Montiel

Cinematography by: Stefan Czapsky

Edited by: Saar Klein, Jake Pushinsky

Revolutionary Road | ShotOnWhat?

Makeup Artist

Revolutionary Road (2008)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

The Time Machine | ShotOnWhat?

Makeup Artist: New York

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

A Beautiful Mind | ShotOnWhat?

Makeup Artist

A Beautiful Mind (2001)

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Thomas Crown Affair | ShotOnWhat?

Assistant Makeup Artist

The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Stepmom | ShotOnWhat?

Makeup Artist

Stepmom (1998)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

54 | ShotOnWhat?

Makeup Artist

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Men in Black | ShotOnWhat?

Makeup Artist

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Mirror Has Two Faces | ShotOnWhat?

Makeup Artist

The Mirror Has Two Faces (1996)

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Cameras: Panavision Panaflex Camera

Thinner | ShotOnWhat?

Assistant Makeup Artist - 2004-

Thinner (1996)

Directed by: Tom Holland

Cinematography by: Kees Van Oostrum

Edited by: Janice Hampton, Marc Laub

Awakenings | ShotOnWhat?

Makeup Artist

Awakenings (1990)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Battle Davis, Gerald B. Greenberg

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