Mark S. Constance

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Jason Bourne | ShotOnWhat?

Second Assistant Director

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Captain Phillips | ShotOnWhat?

Second Assistant Director

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Here Comes the Boom | ShotOnWhat?

Second Assistant Director: Second Unit

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

That's My Boy | ShotOnWhat?

Second Second Assistant Director

That's My Boy (2012)

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

What's Your Number? | ShotOnWhat?

Second Second Assistant Director

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Furry Vengeance | ShotOnWhat?

Second Assistant Director

Furry Vengeance (2010)

Directed by: Roger Kumble

Cinematography by: Peter Lyons Collister

Edited by: Lawrence Jordan

The Company Men | ShotOnWhat?

Second Second Assistant Director

The Company Men (2010)

Directed by: John Wells

Cinematography by: Roger Deakins

Edited by: Robert Frazen

Paul Blart: Mall Cop | ShotOnWhat?

Second Second Assistant Director

Paul Blart: Mall Cop (2009)

Directed by: Steve Carr

Cinematography by: Russ T. Alsobrook

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Southland Tales | ShotOnWhat?

Second Second Assistant Director

Southland Tales (2006)

Directed by: Richard Kelly

Cinematography by: Steven Poster

Edited by: Sam Bauer

Be Cool | ShotOnWhat?

Second Assistant Director

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Terminator 3: Rise of the Machines | ShotOnWhat?

Second Second Assistant Director

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Boys II | ShotOnWhat?

Second Assistant Director: Second Unit

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Collateral Damage | ShotOnWhat?

Additional Second Assistant Director

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

Clockstoppers | ShotOnWhat?

Second Assistant Director: Second Unit

Clockstoppers (2002)

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Last Castle | ShotOnWhat?

Second Second Assistant Director

The Last Castle (2001)

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mission: Impossible II | ShotOnWhat?

Additional Second Assistant Director

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Charlie's Angels | ShotOnWhat?

Second Second Assistant Director

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

How the Grinch Stole Christmas | ShotOnWhat?

Second Second Assistant Director: Second Unit

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

End of Days | ShotOnWhat?

Additional Second Second Assistant Director

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Being John Malkovich | ShotOnWhat?

Second Assistant Director

Being John Malkovich (1999)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Wild Wild West | ShotOnWhat?

Second Second Assistant Director: Second Unit

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

A Night at the Roxbury | ShotOnWhat?

Second Second Assistant Director

A Night at the Roxbury (1998)

Directed by: John Fortenberry

Cinematography by: Francis Kenny

Edited by: Jay Kamen

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Coneheads | ShotOnWhat?

Set Production Assistant

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Extreme Justice | ShotOnWhat?

Set Production Assistant

Extreme Justice (1993)

Directed by: Mark L. Lester

Cinematography by: Mark Irwin

Edited by: Donn Aron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

Point Break | ShotOnWhat?

Set Production Assistant

Point Break (1991)

Directed by: Kathryn Bigelow

Cinematography by: Donald Peterman

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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