Digital Compositor: Image Engine
The Unforgivable (2021)
Directed by: Nora Fingscheidt
Cinematography by: Guillermo Navarro
Cameras: Red Helium 8K Camera
Lenses: Angenieux Lenses, ARRI Lenses
Digital Compositor
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Visual Effects: Image Engine
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Digital Compositor
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Digital Compositor
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Digital Compositor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Digital Compositor
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor: Framestore
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: Framestore
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Digital Compositor
Elle s'en va (2013)
Directed by: Emmanuelle Bercot
Cinematography by: Guillaume Schiffman
Edited by: Julien Leloup
Cameras: ARRI ALEXA Camera
Compositor: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Compositing Artist: Prime Focus UK, Digital Compositor
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: PrimeFocus
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Prime Focus
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Compositor: Cinesite / Digital Compositor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Compositor
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects: Image Engine - 3 Episodes, 2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Compositor
Miral (2010)
Directed by: Julian Schnabel
Cinematography by: Eric Gautier
Edited by: Juliette Welfling
Digital Compositor
Les petits mouchoirs (2010)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Digital Compositor
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Digital Compositor
District 13: Ultimatum (2009)
Directed by: Patrick Alessandrin
Cinematography by: Jean-François Hensgens
Digital Compositor
Ultimate Heist (2009)
Directed by: Laurent Tuel
Cinematography by: Laurent Machuel
Edited by: Marion Monestier
Digital Compositor
Cyprien (2009)
Directed by: David Charhon
Cinematography by: Antoine Roch
Edited by: Sophie Reine
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Digital Compositor
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Digital Compositor
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Digital Compositor
Pour elle (2008)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
Digital Compositor
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
