Steve Winsett

15 Titles

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Molds

Bright (2017)

Motion Picture

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Lenses: Panavision Lenses

Mold Department

It (2017)

Motion Picture

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Special Makeup Effects Artist

300: Rise of an Empire (2014)

Motion Picture

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Special Makeup Effects Artist

The Maze Runner (2014)

Motion Picture

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Special Makeup Effects Artist

The Hunger Games: Catching Fire (2013)

Motion Picture

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Special Makeup Effects Artist

Star Trek Into Darkness (2013)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Mold Maker: Glenn Hetrick's Optic Nerve Studios

The Host (2013)

Motion Picture

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

Special Makeup Effects Artist

Scary Movie 5 (2013)

Motion Picture

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

Makeup Effects Crew

Piranha 3DD (2012)

Motion Picture

Directed by: John Gulager

Cinematography by: Alex Lehmann

Edited by: Martin Bernfeld, Devin C. Lussier, Kirk M. Morri

Additional Technician: Optic Nerve Studios

The Hunger Games (2012)

Motion Picture

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Special Makeup Effects Artist

X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Specialty Costume Crew: Film Illusions

Thor (2011)

Motion Picture

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Specialty Costumes

Tron (2010)

Motion Picture

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Effects Technician: Drac Studios

Watchmen (2009)

Motion Picture

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Special Makeup Effects Technician

The Curious Case of Benjamin Button (2008)

Motion Picture

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

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Steve Winsett

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Molds

Bright (2017)

Mold Department

It (2017)

Special Makeup Effects Artist

300: Rise of an Empire (2014)

Special Makeup Effects Artist

The Maze Runner (2014)

Special Makeup Effects Artist

The Hunger Games: Catching Fire (2013)

Special Makeup Effects Artist

Star Trek Into Darkness (2013)

Mold Maker: Glenn Hetrick's Optic Nerve Studios

The Host (2013)

Special Makeup Effects Artist

Scary Movie 5 (2013)

Makeup Effects Crew

Piranha 3DD (2012)

Additional Technician: Optic Nerve Studios

The Hunger Games (2012)

Special Makeup Effects Artist

X: First Class (2011)

Specialty Costume Crew: Film Illusions

Thor (2011)

Specialty Costumes

Tron (2010)

Effects Technician: Drac Studios

Watchmen (2009)

Special Makeup Effects Technician

The Curious Case of Benjamin Button (2008)

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