Special Effects Coordinator
Rattlesnake (2019)
Directed by: Zak Hilditch
Edited by: Merlin Eden
Cameras: Sony CineAlta VENICE Camera
Special Effects General Foreman, Stunt Performer
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Special Effects Supervisor
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Special Effects Coordinator
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Special Effects Coordinator
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Special Effects Technician
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Special Effects Coordinator
'In Plain Sight' The Medal of Mary (2012)
Directed by: Dan Lerner
Edited by: Josh Beal
Special Effects Coordinator
'In Plain Sight' All's Well That Ends (2012)
Directed by: Dan Lerner
Edited by: Jennifer Barbot
Special Effects Coordinator
'In Plain Sight' Drag Me to Hell (2012)
Directed by: Bethany Rooney
Cinematography by: John B. Aronson
Stunt Performer - 1 Episode, 2012
Vegas (2012)
Directed by: Matt Earl Beesley, Duane Clark, Roxann Dawson, Paul McCrane, Christine Moore, Greg Beeman, Gary Fleder, Anthony Hemingway, James Mangold, Jeff T. Thomas, Alex Zakrzewski, Michael Chiklis, Jerry Levine, Rosemary Rodriguez, Frederick E.O. Toye, James Whitmore Jr.
Cameras: ARRI ALEXA Camera
Special Effects Coordinator
'In Plain Sight' The Merry Wives of Witsec (2012)
Directed by: Michael Fields
Special Effects Coordinator
'In Plain Sight' Reservations, I've Got a Few (2012)
Directed by: Dan Lerner
Special Effects Coordinator
'In Plain Sight' Four Marshals and a Baby (2012)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Stunt Performer
'Vegas' Pilot (2012)
Directed by: James Mangold
Cinematography by: Kramer Morgenthau
Edited by: Mark Manos
Special Effects Foreman
'In Plain Sight' Second Crime Around (2011)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Special Effects Foreman
'In Plain Sight' Something Borrowed, Something Blew Up (2011)
Directed by: Michael Morris
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects Foreman
'In Plain Sight' Provo-Cation (2011)
Directed by: Bryan Spicer
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Special Effects Foreman
'In Plain Sight' A Womb with a View (2011)
Directed by: Bethany Rooney
Edited by: Regis Kimble
Special Effects Foreman
'In Plain Sight' Girls, Interrupted (2011)
Directed by: Lee Rose
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects Foreman
'In Plain Sight' The Rolling Stones (2011)
Directed by: David Warren
Cinematography by: John B. Aronson
Edited by: Regis Kimble
Special Effects Foreman
'In Plain Sight' Kumar vs Kumar (2011)
Directed by: Michael Fields
Edited by: Jennifer Barbot
Special Effects Foreman
'In Plain Sight' I'm a Liver Not a Fighter (2011)
Directed by: Michael W. Watkins
Special Effects Foreman
'In Plain Sight' Something A-mish (2011)
Directed by: Dan Lerner
Edited by: Regis Kimble
Special Effects Foreman
'In Plain Sight' Crazy Like a Witness (2011)
Directed by: Matthew Penn
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Special Effects Foreman
'In Plain Sight' The Art of the Steal (2011)
Directed by: Dan Lerner
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects Foreman
'In Plain Sight' Love in the Time of Colorado (2011)
Directed by: Michael Schultz
Edited by: Regis Kimble
Special Effects Foreman
'In Plain Sight' Son of Mann (2010)
Directed by: Anton Cropper
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Foreman
'In Plain Sight' When Mary Met Marshall (2010)
Directed by: Fred Gerber
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Foreman
'In Plain Sight' Coma Chameleon (2010)
Directed by: Michael W. Watkins
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Technician
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Special Effects Technician
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Special Effects Foreman
'In Plain Sight' Whistle Stop (2010)
Directed by: Michael Zinberg
Cinematography by: David Wagreich
Special Effects Foreman
'In Plain Sight' Fish or Cut Betta (2010)
Directed by: Dan Lerner
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Foreman
'In Plain Sight' No Clemency for Old Men (2010)
Directed by: Jerry Levine
Cinematography by: David Wagreich
Special Effects Foreman
'In Plain Sight' Love's Faber Lost (2010)
Directed by: Deran Sarafian
Cinematography by: David Wagreich
Special Effects Foreman
'In Plain Sight' Death Becomes Her (2010)
Directed by: Bethany Rooney
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Technician: Snow
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Special Effects Foreman
'In Plain Sight' Her Days Are Numbered (2010)
Directed by: Dan Lerner
Cinematography by: David Wagreich
Edited by: Scott K. Wallace
Special Effects Foreman
'In Plain Sight' The Born Identity (2010)
Directed by: Bryan Spicer
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Foreman
'In Plain Sight' WitSec Stepmother (2010)
Directed by: Tawnia McKiernan
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Foreman
'In Plain Sight' A Priest Walks Into a Bar (2010)
Directed by: Michael Morris
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Technician
'Breaking Bad' Better Call Saul (2009)
Directed by: Terry McDonough
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Special Effects Technician
'Breaking Bad' Down (2009)
Directed by: John Dahl
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Special Effects Technician
'Breaking Bad' Breakage (2009)
Directed by: Johan Renck
Cinematography by: Michael Slovis
Edited by: Lynne Willingham
Special Effects Technician
'Breaking Bad' Peekaboo (2009)
Directed by: Peter Medak
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Special Effects Technician
'Breaking Bad' Negro Y Azul (2009)
Directed by: Félix Enríquez Alcalá
Cinematography by: Michael Slovis
Edited by: Lynne Willingham
Special Effects Technician
'Breaking Bad' 4 Days Out (2009)
Directed by: Michelle MacLaren
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Special Effects Technician
'Breaking Bad' Mandala (2009)
Directed by: Adam Bernstein
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Special Effects Technician
'Breaking Bad' Grilled (2009)
Directed by: Charles Haid
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Special Effects Technician
Dark Country (2009)
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Special Effects Technician
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Special Effects Technician
Living Hell (2008)
Directed by: Richard Jefferies
Cinematography by: Eric Leach
Edited by: Russell Denove
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Special Effects Foreman
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Special Effects Technician
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Special Effects Technician
Conspiracy (2008)
Directed by: Adam Marcus
Cinematography by: Ben Weinstein
Edited by: Eric L. Beason
Special Effects Foreman
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Special Effects Foreman / Special Effects Coordinator - 33 Episodes, 2010-2012
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Special Effects Technician
Linewatch (2008)
Directed by: Kevin Bray
Cinematography by: Paul M. Sommers
Edited by: Robert Ivison
Special Effects Technician - 8 Episodes, 2009
Breaking Bad (2008)
Directed by: Michelle MacLaren, Adam Bernstein, Vince Gilligan, Colin Bucksey, Michael Slovis, Bryan Cranston, Terry McDonough, Johan Renck, Rian Johnson, Scott Winant, Peter Gould, Tricia Brock, Bronwen Hughes, Tim Hunter, Jim McKay, Phil Abraham, John Dahl, Félix Enríquez Alcalá, Charles Haid, Peter Medak, John Shiban, David Slade, George Mastras, Thomas Schnauz, Sam Catlin
Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams
Special Effects Foreman
Urban Justice (2007)
Directed by: Don E. FauntLeRoy
Cinematography by: Don E. FauntLeRoy
Edited by: Scott Conrad
Special Effects Technician
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Special Effects Technician
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
