Supervisor Lighting/lookdev: ILM
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Look Development Supervisor: ILM
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Lead Lookdev: ILM
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Lead Visual Effects Lighting/lookdev Artist: ILM
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Lead Lighting / Lookdev: MPC
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Lighting/lookdev Td: ILM
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Lead Lighting: Cinesite
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lighting Td: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
3D Artist: Cinesite
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Lead Lighting Td: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Lighting Td: Vine
'Merlin' With All My Heart (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Lighter: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Lighting Td: Vine
'Merlin' The Diamond of the Day: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Lighting Td: Vine
'Merlin' The Diamond of the Day: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Lighting Td: Vine
'Merlin' The Drawing of the Dark (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Lighting Td: Vine
'Merlin' The Kindness of Strangers (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Lighting Td: Vine
'Merlin' Arthur's Bane: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Lighting Td: Vine
'Merlin' The Hollow Queen (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Lighting Td: Vine
'Merlin' A Lesson in Vengeance (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Belinda Cottrell
Lighting Td: Vine
'Merlin' The Dark Tower (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lighting Td: Vine
'Merlin' The Disir (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lighting Td: Vine
'Merlin' Another's Sorrow (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lighting Td: Vine
'Merlin' The Death Song of Uther Pendragon (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Lighting Td: Vine
'Merlin' Arthur's Bane: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Lighting Td: Vine - 13 Episodes, 2012
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
