Alain Bignet

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Ghost in the Shell | ShotOnWhat?

Digital Compositor

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Geostorm | ShotOnWhat?

Lead Compositor

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Alien: Covenant | ShotOnWhat?

Digital Compositor

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Digital Compositor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Digital Compositor

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Digital Compositor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Les yeux jaunes des crocodiles | ShotOnWhat?

Digital Compositor

Les yeux jaunes des crocodiles (2014)

Directed by: Cécile Telerman

Cinematography by: Colin Houben, Pascal Ridao

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Belle et Sébastien | ShotOnWhat?

Digital Compositor

Belle et Sébastien (2013)

Directed by: Nicolas Vanier

Cinematography by: Éric Guichard

Edited by: Stéphanie Pedelacq, Raphaele Urtin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Le coeur des hommes 3 | ShotOnWhat?

Compositing Supervisor

Le coeur des hommes 3 (2013)

Directed by: Marc Esposito

Cinematography by: Pascal Caubère

Edited by: Benoît Alavoine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Holy Motors | ShotOnWhat?

Digital Compositor

Holy Motors (2012)

Directed by: Leos Carax

Cinematography by: Yves Cape, Caroline Champetier

Edited by: Nelly Quettier

Cameras: Red Epic Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Bienvenue parmi nous | ShotOnWhat?

Compositing Supervisor

Bienvenue parmi nous (2012)

Directed by: Jean Becker

Cinematography by: Arthur Cloquet

Edited by: Franck Nakache, Jacques Witta

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Digital Compositor

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Trois mondes | ShotOnWhat?

Digital Compositor

Trois mondes (2012)

Directed by: Catherine Corsini

Cinematography by: Claire Mathon

Edited by: Muriel Breton

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

L'homme qui rit | ShotOnWhat?

Digital Compositor

L'homme qui rit (2012)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

The Lady | ShotOnWhat?

Compositing Graphic Artist: Duran Duboi

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Case départ | ShotOnWhat?

Digital Compositor

Case départ (2011)

Directed by: Lionel Steketee, Fabrice Eboué, Thomas N'Gijol

Cinematography by: Jean-Claude Aumont

Edited by: Frédérique Olszak

Day of the Falcon | ShotOnWhat?

Lead Compositor

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

"Mafiosa" Episode #3.2 | ShotOnWhat?

Digital Compositor

'Mafiosa' Episode #3.2 (2010)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Isabelle Laclau

"Mafiosa" Episode #3.1 | ShotOnWhat?

Digital Compositor

'Mafiosa' Episode #3.1 (2010)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Isabelle Laclau

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Digital Compositor

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Les petits mouchoirs | ShotOnWhat?

Digital Compositor

Les petits mouchoirs (2010)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

La Rafle | ShotOnWhat?

Digital Compositor

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

The Clink of Ice | ShotOnWhat?

Digital Compositor

The Clink of Ice (2010)

Directed by: Bertrand Blier

Cinematography by: François Catonné

Edited by: Marion Monestier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Underworld: Rise of the Lycans | ShotOnWhat?

Compositing Artist: Duran Duboi Paris

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Coco Before Chanel | ShotOnWhat?

Digital Compositor

Coco Before Chanel (2009)

Directed by: Anne Fontaine

Cinematography by: Christophe Beaucarne

Edited by: Luc Barnier

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Micmacs à tire-larigot | ShotOnWhat?

Digital Compositor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

District 13: Ultimatum | ShotOnWhat?

Digital Compositor

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Gamer | ShotOnWhat?

Digital Compositor

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Parlez-moi de la pluie | ShotOnWhat?

Digital Compositor

Parlez-moi de la pluie (2008)

Directed by: Agnès Jaoui

Cinematography by: David Quesemand

Edited by: François Gédigier

Seuls Two | ShotOnWhat?

Digital Compositor

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Digital Compositor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Secret défense | ShotOnWhat?

Digital Compositor

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Pour elle | ShotOnWhat?

Digital Compositor

Pour elle (2008)

Directed by: Fred Cavayé

Cinematography by: Alain Duplantier

Edited by: Benjamin Weill

Transporter 3 | ShotOnWhat?

Digital Compositor

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Babylon A.D. | ShotOnWhat?

Additional Compositor

Babylon A.D. (2008)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Lenses: Panavision Primo Anamorphic Lenses

Zidane, un portrait du 21e siècle | ShotOnWhat?

Digital Artist

Zidane, un portrait du 21e siècle (2006)

Directed by: Douglas Gordon, Philippe Parreno

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Mafiosa | ShotOnWhat?

Digital Compositor - 2 Episodes, 2010

Mafiosa (2006)

Television Series

Directed by: Hugues Pagan, Eric Rochant, Pierre Leccia, Louis Choquette

Cinematography by: Aleksander Kaufmann, Pierre Novion, Patrick Blossier

Edited by: Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Cameras: ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

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