Senior Digital Intermediate Colorist
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Senior Digital Intermediate Colorist
'Westworld' The Auguries (2022)
Directed by: Richard J. Lewis
Cinematography by: John Conroy
Senior Digital Intermediate Colorist
'Westworld' Well Enough Alone (2022)
Directed by: Craig William Macneill
Cinematography by: Peter Flinckenberg
Edited by: Anna Hauger
Senior Digital Intermediate Colorist
'Westworld' Années Folles (2022)
Directed by: Hanelle M. Culpepper
Cinematography by: John Conroy
Edited by: Amelia Allwarden
Senior Digital Intermediate Colorist
'Westworld' Generation Loss (2022)
Directed by: Paul Cameron
Cinematography by: Peter Flinckenberg
Senior Digital Intermediate Colorist
'Westworld' Zhuangzi (2022)
Directed by: Craig William Macneill
Cinematography by: John Conroy
Senior Digital Intermediate Colorist
'Westworld' Fidelity (2022)
Directed by: Andrew Seklir
Cinematography by: Peter Flinckenberg
Edited by: Amelia Allwarden
Senior Digital Intermediate Colorist
'Westworld' Metanoia (2022)
Directed by: Meera Menon
Cinematography by: John Conroy
Edited by: Sarah C. Reeves
Senior Digital Intermediate Colorist
'Westworld' Que Será, Será (2022)
Directed by: Richard J. Lewis
Cinematography by: Peter Flinckenberg
Digital Intermediate Colorist
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Digital Intermediate Colorist
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Digital Intermediate Colorist
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Digital Intermediate Colorist
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Digital Intermediate Colorist
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Digital Intermediate Colorist
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Digital Intermediate Colorist
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Digital Intermediate Colorist
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Digital Intermediate Colorist - 8 Episodes, 2020, Digital Intermediate Colorist / Senior Digital Intermediate Colorist - 16 Episodes, 2020-2022
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Senior Digital Intermediate Colorist
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Colorist
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Digital Intermediate Colorist
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Colorist
'Chicago Fire' Shoved in My Face (2014)
Directed by: Jean de Segonzac
Cinematography by: Lisa Wiegand
Edited by: Megan D'Arco
Colorist
'Chicago Fire' Tonight's the Night (2014)
Directed by: Jann Turner
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' Out with a Bang (2014)
Directed by: Alik Sakharov
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' Virgin Skin (2014)
Directed by: Karen Gaviola
Cinematography by: Lisa Wiegand
Edited by: Megan D'Arco
Colorist
'Chicago Fire' Keep Your Mouth Shut (2014)
Directed by: Holly Dale
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' A Rocket Blasting Off (2014)
Directed by: Sanford Bookstaver
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Digital Intermediate Colorist
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Digital Intermediate Colorist
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Colorist: Video Mastering
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Colorist
'Chicago Fire' Rhymes with Shout (2013)
Directed by: Joe Chappelle
Cinematography by: Lisa Wiegand
Edited by: Megan D'Arco
Colorist
'Chicago Fire' Viral (2013)
Directed by: Michael Brandt
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' Better to Lie (2013)
Directed by: Joe Chappelle
Cinematography by: Lisa Wiegand
Colorist
'Chicago Fire' Fireworks (2013)
Directed by: Karen Gaviola
Cinematography by: Lisa Wiegand
Edited by: Michael Schweitzer
Colorist
'Chicago Fire' A Coffin That Small (2013)
Directed by: Darnell Martin
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' A Problem House (2013)
Directed by: Joe Chappelle
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' Prove It (2013)
Directed by: Tom DiCillo
Cinematography by: Lisa Wiegand
Edited by: Megan D'Arco
Colorist
'Chicago Fire' Defcon 1 (2013)
Directed by: Joe Chappelle
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' A Power Move (2013)
Directed by: Jann Turner
Cinematography by: Lisa Wiegand
Edited by: Megan D'Arco
Colorist
'Chicago Fire' Joyriding (2013)
Directed by: Steve Shill
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' No Regrets (2013)
Directed by: Michael Slovis
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' You Will Hurt Him (2013)
Directed by: Sanford Bookstaver
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Colorist
'Chicago Fire' Not Like This (2013)
Directed by: Alex Chapple
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Digital Intermediate Artist
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Digital Intermediate Artist
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Colorist
'Chicago Fire' A Nuisance Call (2013)
Directed by: Steve Shill
Cinematography by: Lisa Wiegand
Edited by: Micky Blythe
Digital Color Correction
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Colorist
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Colorist
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Colorist - 22 Episodes, 2012-2014
Chicago Fire (2012)
Directed by: Joe Chappelle, Reza Tabrizi, Sanford Bookstaver, Jann Turner, Jean de Segonzac, Tom DiCillo, Steve Shill, Michael Brandt, Alex Chapple, Michael Slovis, Holly Dale, Eric Laneuville, Leslie Libman, Arthur W. Forney, Dan Lerner, Karen Gaviola, Alik Sakharov, Haze J.F. Bergeron III, Dru Anne Carlson, Jono Oliver, Matt Earl Beesley, Stephen Cragg, Olivia Newman, Bill Johnson, Constantine Makris, Gloria Muzio, Jeffrey Nachmanoff, Darnell Martin, Daniel Sackheim, Rod Holcomb, Karyn Kusama, Fred Berner, Jeffrey G. Hunt, John Hyams, David Rodriguez, James Hanlon, Lin Oeding, Batan Silva, Mark Tinker, Milena Govich, Paul McCrane, Carl Seaton
Cinematography by: Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo
Edited by: Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton
Cameras: ARRI ALEXA Camera
Colorist
'Chicago Fire' It Ain't Easy (2012)
Directed by: Tom DiCillo
Cinematography by: Lisa Wiegand
Edited by: Michael Schweitzer
Colorist
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Colorist
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Color Correction
The King of Kong: A Fistful of Quarters (2007)
Directed by: Seth Gordon
Cinematography by: Seth Gordon
Edited by: Seth Gordon
Colorist
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
High Definition Colorist: Fotokem
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Telecine Colorist
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Digital Colorist
Insomnia (2002)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Telecine Colorist
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Telecine Colorist
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Colorist
The Forsaken (2001)
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Digital Colorist
Memento (2000)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Cameras: Panavision Panaflex Gold II Camera
Colorist
Following (1998)
Directed by: Christopher Nolan
Cinematography by: Christopher Nolan
Cameras: ARRIFLEX 16BL Camera
Digital Colorist: Restoration
The Sandlot (1993)
Directed by: David Mickey Evans
Cinematography by: Anthony B. Richmond
Edited by: Michael A. Stevenson
