Visual Effects Supervisor
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Visual Effects Supervisor
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Supervisor: MPC Vancouver
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: MPC
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Visual Effects Supervisor: MPC
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: MPC
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Supervisor: MPC
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Visual Effects Supervisor: MPC
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Visual Effects Supervisor : MPC
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Visual Effects Supervisor: MPC
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Digital Effects Supervisor: MPC
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Visual Effects Supervisor: The Moving Picture Company
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Visual Effects Supervisor: The Moving Picture Company
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Visual Effects Supervisor
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Supervisor: Technicolor Creative Services, Vancouver
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
Visual Effects Supervisor: Technicolor Creative Services Vancouver
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Digital Effects Supervisor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Lead Compositor
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Visual Effects Supervisor: Vancouver
Ji jie hao (2007)
Directed by: Xiaogang Feng
Cinematography by: Yue Lü
Edited by: Miaomiao Liu
Lead Compositor
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Compositor: Technicolor Creative Services, Vancouver
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Lead Compositor: Technicolor Creative Services, Canada
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Visual Effects Supervisor
'The Wonderful World of Disney' Once Upon a Mattress (2005)
Directed by: Kathleen Marshall
Cinematography by: Robert McLachlan
Edited by: Scott Vickrey
Digital Compositor
Alone in the Dark (2005)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Richard Schwadel
Compositor
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Inferno Artist
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
