Visual Effects Producer: ILM
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Visual Effects Associate Producer: ILM
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Visual Effect Associate Producer: ILM
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Visual Effects Production Manager: Industrial Light & Magic
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Visual Effects Production Manager: Industrial Light & Magic
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Production Manager: ILM
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Visual Effects Production Manager
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Visual Effects Coordinator
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Coordinator: Animal Logic
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Animal Logic
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Visual Effects Coordinator: Animal Logic
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Visual Effects Producer: Animal Logic
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Visual Effects Production Manager
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Visual Effects Coordinator
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
