Digital Intermediate Conform Editor
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Data Transfer
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Digital Intermediate Conform Editor
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Digital Intermediate Technician: Molinare
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Digital Intermediate Conform Editor
Son of God (2014)
Directed by: Christopher Spencer
Cinematography by: Rob Goldie
Edited by: Robert Hall
Cameras: ARRI ALEXA Plus Camera
Lenses: ARRI / Fujinon Lenses
Digital Intermediate Conform Editor
Pride (2014)
Directed by: Matthew Warchus
Cinematography by: Tat Radcliffe
Edited by: Melanie Oliver
Editing System: Avid Editing System
Digital Intermediate Conform Editor
Virunga (2014)
Directed by: Orlando von Einsiedel
Cinematography by: Franklin Dow
Lenses: Canon Lenses, Fujinon Alura Lenses
Data Transfer
Last Passenger (2013)
Directed by: Omid Nooshin
Cinematography by: Angus Hudson
Edited by: Joe Walker
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Digital Intermediate Conform Editor
Belle (2013)
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Data Transfer
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Visual Effects Artist
Carrie (2013)
Directed by: Kimberly Peirce
Cinematography by: Steve Yedlin
Cameras: ARRI ALEXA Camera
Data Transfer
I Give It a Year (2013)
Directed by: Dan Mazer
Cinematography by: Ben Davis
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Plus Camera
Data Transfer
In Fear (2013)
Directed by: Jeremy Lovering
Cinematography by: David Katznelson
Edited by: Jonathan Amos
Data Transfer
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Data Transfer
'Call the Midwife' Episode #1.3 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Data Transfer
'The Hour' Episode #2.1 (2012)
Directed by: Sandra Goldbacher
Cinematography by: David Luther
Edited by: Gareth C. Scales
Data Transfer
'Call the Midwife' Episode #1.4 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Data Transfer
'Call the Midwife' Episode #1.2 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Data Transfer
'Call the Midwife' Episode #1.1 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Data Transfer
'The Hour' Episode #2.6 (2012)
Directed by: Jamie Payne
Cinematography by: David Luther
Edited by: Nick Arthurs
Data Transfer
'The Hour' Episode #2.5 (2012)
Directed by: Jamie Payne
Cinematography by: David Luther
Edited by: Nick Arthurs
Data Transfer
'The Hour' Episode #2.4 (2012)
Directed by: Catherine Morshead
Cinematography by: David Luther
Edited by: Paul Machliss
Data Transfer
'The Hour' Episode #2.3 (2012)
Directed by: Catherine Morshead
Cinematography by: David Luther
Edited by: Paul Machliss
Data Transfer
'The Hour' Episode #2.2 (2012)
Directed by: Sandra Goldbacher
Cinematography by: David Luther
Edited by: Gareth C. Scales
Data Transfer
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Data Transfer
'Call the Midwife' Episode #1.5 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Data Transfer
'Call the Midwife' Episode #1.6 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Data Transfer
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Data Transfer - 6 Episodes, 2012
Call the Midwife (2012)
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Data Transfer
Cockneys vs Zombies (2012)
Directed by: Matthias Hoene
Cinematography by: Daniel Bronks
Cameras: ARRI Cameras
Lenses: Bausch & Lomb Lenses
Data Transfer
Shadows of Liberty (2012)
Directed by: Jean-Philippe Tremblay
Cinematography by: Arthur Jafa
Edited by: Gregers Sall
Data Transfer
St George's Day (2012)
Directed by: Frank Harper
Cinematography by: Mike Southon
Edited by: Nick McCahearty
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Data Transfer
Best Laid Plans (2012)
Directed by: David Blair
Cinematography by: Ali Asad
Edited by: Pia Di Ciaula
Data Transfer - 6 Episodes, 2012
The Hour (2011)
Cameras: ARRIFLEX D-21 Camera
Editing System: Avid Editing System