Matthew Collinge

22 Titles

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Eddie the Eagle | ShotOnWhat?

Sound Re-recording Mixer, Sound Supervisor

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Pan | ShotOnWhat?

Sound Designer

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Kingsman: The Secret Service | ShotOnWhat?

Re-recording Mixer / Sound Designer / Sound Supervisor

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

The Invisible Woman | ShotOnWhat?

Sound Re-recording Mixer: LipSync Post / Sound Supervisor

The Invisible Woman (2013)

Directed by: Ralph Fiennes

Cinematography by: Rob Hardy

Edited by: Nicolas Gaster

Cameras: ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Kick-Ass 2 | ShotOnWhat?

Sound Supervisor: Sound Re-recording Mixer

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Contraband | ShotOnWhat?

Re-recording Mixer

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

Hyde Park on Hudson | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Jane Eyre | ShotOnWhat?

Supervising Sound Editor

Jane Eyre (2011)

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Sound Designer

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Centurion | ShotOnWhat?

Additional Sound Re-recording Mixer / Sound Designer

Centurion (2010)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Chris Gill

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Lightworks Editing System

The Nutcracker in 3D | ShotOnWhat?

Sound Supervisor And Designer

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Kick-Ass | ShotOnWhat?

Sound Designer / Sound Supervisor: Sound Design

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Descent: Part 2 | ShotOnWhat?

Sound Supervisor

The Descent: Part 2 (2009)

Directed by: Jon Harris

Cinematography by: Sam McCurdy

Edited by: Jon Harris

Doomsday | ShotOnWhat?

Sound Supervisor And Sound Design

Doomsday (2008)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

Telstar: The Joe Meek Story | ShotOnWhat?

Sound Supervisor

Telstar: The Joe Meek Story (2008)

Directed by: Nick Moran

Cinematography by: Peter Wignall

Edited by: Alex Marsh

Stardust | ShotOnWhat?

Sound Designer / Sound Supervisor

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Penelope | ShotOnWhat?

Sound

Penelope (2006)

Directed by: Mark Palansky

Cinematography by: Michel Amathieu

Edited by: Jon Gregory

The Descent | ShotOnWhat?

Sound Supervisor

The Descent (2005)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Jon Harris

Layer Cake | ShotOnWhat?

Foley Editor / Sound Designer / Sound Effects Editor, Supervising Sound Editor

Layer Cake (2004)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Finding Neverland | ShotOnWhat?

Sound Designer / Sound Effects

Finding Neverland (2004)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

Snatch. | ShotOnWhat?

Sound Designer / Sound Effects Editor

Snatch (2000)

Directed by: Guy Ritchie

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

Lock, Stock and Two Smoking Barrels | ShotOnWhat?

Sound Designer / Sound Effects

Lock, Stock and Two Smoking Barrels (1998)

Directed by: Guy Ritchie

Cinematography by: Tim Maurice-Jones

Edited by: Niven Howie

Cameras: ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras

Editing System: Lightworks Editing System

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