Creature Effects Consultant
The Banshees of Inisherin (2022)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Mikkel E.G. Nielsen
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime Lenses
Special Creature Effects
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Creature And Special Make-up Effects Creative Supervisor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Creature & Special Makeup Effects Creative Supervisor
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Creature And Special Make-up Effects Creative Supervisor
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Creature & Droid Effects Creative Supervisor, Creature And Special Make-up Effects Creative Supervisor / Creature Shop Head
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Creature And Special Makeup Effects Supervisor, Creature Makeup Supervisor / Special Makeup Effects Supervisor
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Animatronic Effects Supervisor
A Shine of Rainbows (2009)
Directed by: Vic Sarin
Cinematography by: Vic Sarin
Edited by: Alison Grace
Creative Supervisor: Neal Scanlan Studio
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Prosthetics, Special Make-up Effects
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Special Makeup Effects Artist
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Animatronics & Prosthetics Creative Supervisor
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Prosthetics Makeup Supervisor
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Creative Supervisor: Neal Scanlan Studios, Livetime & Animation Models
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Animatronic Characters
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Animatronic Character Effects
102 Dalmatians (2000)
Directed by: Kevin Lima
Edited by: Gregory Perler
Animatronic Characters , Animatronic Creative Supervisor
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Creative Project Supervisor: Jim Henson's Creature Shop
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Creature Supervisor: Jim Henson's Creature Shop
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Creative Project Supervisor, Creature Project Supervisor: Jim Henson's Creature Shop
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Mechanical Designer: Jim Henson's Creature Shop
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Creature Workshop Artist: "Didymus"
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Chief Mechanical Designer
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
