Doug Winningham

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West Side Story | ShotOnWhat?

Foley Editor

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Knives Out | ShotOnWhat?

Assistant Supervising Sound Editor, First Assistant Sound Editor

Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Ready Player One | ShotOnWhat?

Assistant Supervising Sound Editor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Vice | ShotOnWhat?

First Assistant Sound Editor

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

The Mummy | ShotOnWhat?

First Assistant Sound Editor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Post | ShotOnWhat?

First Assistant Sound Editor

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The BFG | ShotOnWhat?

Assistant Supervising Sound Editor

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Pete's Dragon | ShotOnWhat?

Sound Effects Editor

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Bridge of Spies | ShotOnWhat?

Foley Editor

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

The Raid 2 | ShotOnWhat?

Sound Effects Editor

The Raid 2 (2014)

Directed by: Gareth Evans

Cinematography by: Matt Flannery, Dimas Imam Subhono

Edited by: Gareth Evans

Cameras: GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses: Zeiss Ultra Prime Lenses

Love Is Strange | ShotOnWhat?

Foley Editor

Love Is Strange (2014)

Directed by: Ira Sachs

Cinematography by: Christos Voudouris

Edited by: Affonso Gonçalves, Michael Taylor

Inherent Vice | ShotOnWhat?

Foley Editor

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Ping Pong Summer | ShotOnWhat?

Foley Editor

Ping Pong Summer (2014)

Directed by: Michael Tully

Cinematography by: Wyatt Garfield

Edited by: Marc Vives

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Now You See Me | ShotOnWhat?

Foley Editor

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

War Horse | ShotOnWhat?

Sound Effects Recordist

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Social Network | ShotOnWhat?

Field Sound Recordist

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

The Darjeeling Limited | ShotOnWhat?

Additional Sound Effects Recordist

The Darjeeling Limited (2007)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Panavision Cameras

Sicko | ShotOnWhat?

Sound Editor

Sicko (2007)

Directed by: Michael Moore

Cinematography by: Andrew Black, Jayme Roy

Edited by: Geoffrey Richman, Christopher Seward, Dan Swietlik

The Namesake | ShotOnWhat?

Sound Effects Recordist

The Namesake (2006)

Directed by: Mira Nair

Cinematography by: Frederick Elmes

Edited by: Allyson C. Johnson

Broken Flowers | ShotOnWhat?

Sound Effects Recordist

Broken Flowers (2005)

Directed by: Jim Jarmusch

Cinematography by: Frederick Elmes

Edited by: Jay Rabinowitz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Variable Prime Lenses

Rent | ShotOnWhat?

Sound Effects Recordist

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Fierce People | ShotOnWhat?

Sound Effects Editor

Fierce People (2005)

Directed by: Griffin Dunne

Cinematography by: William Rexer

Edited by: Allyson C. Johnson

The Hunted | ShotOnWhat?

Assistant Sound Editor

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Panic Room | ShotOnWhat?

Assistant Supervising Sound Editor

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A.I. Artificial Intelligence | ShotOnWhat?

Assistant Effects Editor

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

The Legend of Bagger Vance | ShotOnWhat?

Assistant Sound Effects Editor

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

Cast Away | ShotOnWhat?

Assistant Sound Effects Editor

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Fight Club | ShotOnWhat?

Sound Apprentice

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

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