Production Consultant
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Production Consultant
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Production Consultant
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Production Consultant
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Visual Effects Producer: Meteor Studios
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Visual Effects Producer
U2 3D (2007)
Edited by: Olivier Wicki
Cameras: Sony HDW-F900 Camera
Editing System: Avid Editing System
Digital Effects Production Manager: Rhythm & Hues
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Digital Production Manager
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Visual Effects Production Manager: Tippett Studio
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Effects Technical Director
Shrek 2 (2004)
Visual Effects Coordinator
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Coordinator
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Visual Effects Coordinator
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Visual Effects Coordinator
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Visual Effects Coordinator
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Director
NetForce (1999)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Alan L. Shefland
Assistant Director
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
