Helen Judd

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Visual Effects Producer

The Last Duel (2021)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Murder on the Orient Express | ShotOnWhat?

Visual Effects Producer

Murder on the Orient Express (2017)

Motion Picture

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Vfx Associate Producer

The Martian (2015)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Visual Effects Production Supervisor

Wrath of the Titans (2012)

Motion Picture

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Shoot Producer

War Horse (2011)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Visual Effects Production Manager

Clash of the Titans (2010)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Visual Effects Coordinator

Prince of Persia: The Sands of Time (2010)

Motion Picture

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Visual Effects Producer: Framestore

Where the Wild Things Are (2009)

Motion Picture

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Visual Effects Coordinator

Inkheart (2008)

Motion Picture

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Visual Effects Coordinator: Cinesite

Sahara (2005)

Motion Picture

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Visual Effects Coordinator: Cinesite Europe

Charlie and the Chocolate Factory (2005)

Motion Picture

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Visual Effects Coordinator: Cinesite

King Arthur (2004)

Motion Picture

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Master and Commander: The Far Side of the World | ShotOnWhat?

Assistant: Duncan Henderson

Master and Commander: The Far Side of the World (2003)

Motion Picture

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Assistant Production Coordinator: Second Unit

Harry Potter and the Chamber of Secrets (2002)

Motion Picture

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Assistant: Mr. Henderson

Harry Potter and the Sorcerer's Stone (2001)

Motion Picture

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

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Helen Judd

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Visual Effects Producer

The Last Duel (2021)

Visual Effects Producer

Murder on the Orient Express (2017)

Vfx Associate Producer

The Martian (2015)

Visual Effects Production Supervisor

Wrath of the Titans (2012)

Visual Effects Shoot Producer

War Horse (2011)

Visual Effects Production Manager

Clash of the Titans (2010)

Visual Effects Coordinator

Prince of Persia: The Sands of Time (2010)

Visual Effects Producer: Framestore

Where the Wild Things Are (2009)

Visual Effects Coordinator

Inkheart (2008)

Visual Effects Coordinator: Cinesite

Sahara (2005)

Visual Effects Coordinator: Cinesite Europe

Charlie and the Chocolate Factory (2005)

Visual Effects Coordinator: Cinesite

King Arthur (2004)

Assistant: Duncan Henderson

Master and Commander: The Far Side of the World (2003)

Assistant Production Coordinator: Second Unit

Harry Potter and the Chamber of Secrets (2002)

Assistant: Mr. Henderson

Harry Potter and the Sorcerer's Stone (2001)

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