Marc Massicotte

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Kandahar | ShotOnWhat?

Visual Effects Supervisor/visual Effects Producer

Kandahar (2023)

Directed by: Ric Roman Waugh

Cinematography by: MacGregor

Edited by: Colby Parker Jr.

Cameras: ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses: Panavision E Series Anamorphic Lenses, Vazen Lenses

Editing System: Avid Editing System

Greenland | ShotOnWhat?

Visual Effects Supervisor

Greenland (2020)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera

The Lighthouse | ShotOnWhat?

Visual Effects Supervisor

The Lighthouse (2019)

Directed by: Robert Eggers

Cinematography by: Jarin Blaschke

Edited by: Louise Ford

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Bausch & Lomb Lenses, Pathé Lenses

Phantom Thread | ShotOnWhat?

Vfx Supervisor: Digital District

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

"Sleepy Hollow" The Way of the Gun | ShotOnWhat?

Visual Effects Supervisor: Mels Studios

'Sleepy Hollow' The Way of the Gun (2017)

Television Episode

Directed by: Russell Lee Fine

Cinematography by: Niels Alpert

Edited by: Michael Stern

"Sleepy Hollow" Tomorrow | ShotOnWhat?

Visual Effects Supervisor: Mels Studios

'Sleepy Hollow' Tomorrow (2017)

Television Episode

Directed by: Marc Roskin

Cinematography by: Jan Richter-Friis

Edited by: Tim Brinker

"Sleepy Hollow" Freedom | ShotOnWhat?

Visual Effects Supervisor: Mels Studios

'Sleepy Hollow' Freedom (2017)

Television Episode

Directed by: Russell Lee Fine

Cinematography by: Niels Alpert

Edited by: Steve Haugen

Furious 7 | ShotOnWhat?

Digital Compositor: Rodeo FX

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Tomorrowland | ShotOnWhat?

Digital Compositor

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

22 Jump Street | ShotOnWhat?

Compositor: Rodeo FX

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

RoboCop | ShotOnWhat?

Digital Compositing Supervisor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Riddick | ShotOnWhat?

Digital Compositing Supervisor: Modus FX

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Sleepy Hollow | ShotOnWhat?

Visual Effects Supervisor: Mels Studios - 3 Episodes, 2017

Sleepy Hollow (2013)

Television Series

Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau

Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Now You See Me | ShotOnWhat?

Digital Compositing Supervisor: Modus FX

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

This Is the End | ShotOnWhat?

Digital Compositing Supervisor: Modus FX

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Jonah Hex | ShotOnWhat?

Digital Compositor

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Knight and Day | ShotOnWhat?

Visual Effects: Hydraulx

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Across the Universe | ShotOnWhat?

Digital Compositor: Mokko Studio

Across the Universe (2007)

Directed by: Julie Taymor

Cinematography by: Bruno Delbonnel

Edited by: Françoise Bonnot

Cameras: ARRI Cameras, Panavision Cameras

Lenses: Panavision Lenses

Stranger Than Fiction | ShotOnWhat?

Compositor: Mokko Studio

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Silent Hill | ShotOnWhat?

Compositor: MOKKO Studio

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Fantastic Four | ShotOnWhat?

Digital Compositor

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Battlefield Earth | ShotOnWhat?

I/O Technician / Technical Support: Hybride

Battlefield Earth (2000)

Directed by: Roger Christian

Cinematography by: Giles Nuttgens

Edited by: Robin Russell

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