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Battleship | ShotOnWhat?

Post-production Accountant

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Let Me In | ShotOnWhat?

Co-producer

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Mysteries of Pittsburgh | ShotOnWhat?

Executive Producer

The Mysteries of Pittsburgh (2008)

Directed by: Rawson Marshall Thurber

Cinematography by: Michael Barrett

Edited by: Barbara Tulliver

Smart People | ShotOnWhat?

Production Executive

Smart People (2008)

Directed by: Noam Murro

Cinematography by: Toby Irwin

Edited by: Robert Frazen, Yana Gorskaya

Charlotte's Web | ShotOnWhat?

Production Executive

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

The Game of Their Lives | ShotOnWhat?

Production Executive

The Game of Their Lives (2005)

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

Sahara | ShotOnWhat?

Executive Producer

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ray | ShotOnWhat?

Production Executive: Bristol Bay Productions

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Far from Heaven | ShotOnWhat?

Production Executive

Far from Heaven (2002)

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: James Lyons

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

One Night at McCool's | ShotOnWhat?

Production Executive

One Night at McCool's (2001)

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Urban Legends: Final Cut | ShotOnWhat?

Production Executive

Urban Legends: Final Cut (2000)

Directed by: John Ottman

Cinematography by: Brian Pearson

Edited by: Rob Kobrin, John Ottman

The Thin Red Line | ShotOnWhat?

Production Executive

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

Urban Legend | ShotOnWhat?

Production Executive

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Speed | ShotOnWhat?

Production Accountant

Speed (1994)

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rising Sun | ShotOnWhat?

Production Accountant

Rising Sun (1993)

Directed by: Philip Kaufman

Cinematography by: Michael Chapman

Edited by: Stephen A. Rotter, William S. Scharf

The Beverly Hillbillies | ShotOnWhat?

Production Auditor

The Beverly Hillbillies (1993)

Directed by: Penelope Spheeris

Cinematography by: Robert Brinkmann

Edited by: Ross Albert

Cameras: ARRIFLEX 535 B Camera

Night and the City | ShotOnWhat?

Production Auditor

Night and the City (1992)

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

The Silence of the Lambs | ShotOnWhat?

Production Auditor

The Silence of the Lambs (1991)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Miami Blues | ShotOnWhat?

Production Auditor

Miami Blues (1990)

Directed by: George Armitage

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Cameras: ARRI Cameras

She-Devil | ShotOnWhat?

Assistant Auditor

She-Devil (1989)

Directed by: Susan Seidelman

Cinematography by: Oliver Stapleton

Edited by: Craig McKay

Cameras: Panavision Cameras

Mississippi Burning | ShotOnWhat?

Assistant Auditor

Mississippi Burning (1988)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

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