Layout Artist: SPI
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Matchmover: SPI
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Matchmover: SPI
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Matchmover: SPI
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Matchmover: SPI
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Match Move Artist: SPI
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Matchmove Artist: SPI
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Matchmover: SPI
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
On-set Match Mover
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
On-set Match Move Assistant
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Digital Compositor: BVVE
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Digital Compositor
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Stage And Plate Camera: Buena Vista Visual Effects
Cabin Boy (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Matte Cameraman: Buena Vista Visual Effects
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Matte Camera Operator
The Distinguished Gentleman (1992)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Assistant Cameraman
Grand Tour: Disaster in Time (1992)
Directed by: David Twohy
Cinematography by: Harry Mathias
Camera Assistant
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
First Assistant Photographer: Boss Film Corporation
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Visual Effects First Assistant Photographer
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
First Assistant Cameraman
The Boy Who Could Fly (1986)
Directed by: Nick Castle
Edited by: Patrick Kennedy
Camera Assistant: Process Photography
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Camera Assistant: Special Visual Effects
Galaxy of Terror (1981)
Directed by: Bruce D. Clark
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Additional Photography: Special Photographic Effects
Battle Beyond the Stars (1980)
Cinematography by: Daniel Lacambre
