Maria Asim Ali

17 Titles

Is this you? Add a Profile

Stereo Creative Team, Stereo Creative Team: DNEG

No Time to Die (2021)

Motion Picture

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Compositor

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Compositor

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Stereoscopic Compositor: Visual Effects

The Legend of Tarzan (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Stereoscopic Compositor: Visual Effects

Captain America: Civil War (2016)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Stereo Compositor

Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Stereoscopic Compositer

Edge of Tomorrow (2014)

Motion Picture

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Stereoscopic Compositor: Visual Effects

Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Stereoscopic Artist

Seventh Son (2014)

Motion Picture

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Stereoscopic Compositor

Maleficent (2014)

Motion Picture

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Stereoscopic Compositor: Visual Effects

The Amazing Spider-Man 2 (2014)

Motion Picture

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Stereoscopic Compositor: Prime Focus World

World War Z (2013)

Motion Picture

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Stereo Compositor: Stereoscopic Conversion

Gravity (2013)

Motion Picture

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Stereoscopic Compositor

Dredd (2012)

Motion Picture

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Stereo Artist: Prime Focus World

Frankenweenie (2012)

Motion Picture

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Stereo Compositor: Stereoscopic Conversion

Wrath of the Titans (2012)

Motion Picture

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Stereoscopic Conversion Compositor

Star Wars: Episode II - Attack of the Clones (2002)

Motion Picture

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

20254.20

Maria Asim Ali

You need to login or create an account to link to credits

Login

Don't have an account yet?

Stereo Creative Team, Stereo Creative Team: DNEG

No Time to Die (2021)

Compositor

Avengers: Endgame (2019)

Compositor

Black Panther (2018)

Stereoscopic Compositor: Visual Effects

The Legend of Tarzan (2016)

Stereoscopic Compositor: Visual Effects

Captain America: Civil War (2016)

Stereo Compositor

Avengers: Age of Ultron (2015)

Stereoscopic Compositer

Edge of Tomorrow (2014)

Stereoscopic Compositor: Visual Effects

Guardians of the Galaxy (2014)

Stereoscopic Artist

Seventh Son (2014)

Stereoscopic Compositor

Maleficent (2014)

Stereoscopic Compositor: Visual Effects

The Amazing Spider-Man 2 (2014)

Stereoscopic Compositor: Prime Focus World

World War Z (2013)

Stereo Compositor: Stereoscopic Conversion

Gravity (2013)

Stereoscopic Compositor

Dredd (2012)

Stereo Artist: Prime Focus World

Frankenweenie (2012)

Stereo Compositor: Stereoscopic Conversion

Wrath of the Titans (2012)

Stereoscopic Conversion Compositor

Star Wars: Episode II - Attack of the Clones (2002)

Recently Updated