Digital Artist: Digital Domain 3.0
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Digital Artist: Digital Domain 3.0
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Lead Texture Painter: Digital Domain
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Lead Texture Painter: Digital Domain
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Model Texture Lead
All I See Is You (2016)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Digital Artist: Digital Domain 3.0 - 2 Episodes, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Senior Texture Painter
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Senior Texture Painter
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Model/texture Artist
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Texture Painter
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Senior Texture Painter
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Character Modeler/texturer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Senior Texture Painter
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Modeler: Digital Domain
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Modeler
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Visual Effects Artist
'Psych' Earth, Wind and... Wait for It (2009)
Directed by: Tim Matheson
Cinematography by: Michael McMurray
Edited by: David Crabtree
Cg Artist: CIS Vancouver
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects Artist
'Psych' An Evening with Mr. Yang (2009)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Visual Effects Artist
'Psych' Tuesday the 17th (2009)
Directed by: James Roday
Cinematography by: Michael McMurray
Edited by: David Crabtree
Visual Effects Artist
'Psych' Truer Lies (2009)
Directed by: Martha Coolidge
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Visual Effects Artist
'Psych' Any Given Friday Night at 10PM, 9PM Central (2009)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Visual Effects Artist
'Psych' Lassie Did a Bad, Bad Thing (2009)
Directed by: Stephen Surjik
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Visual Effects Artist
'Psych' Six Feet Under the Sea (2009)
Directed by: Steve Franks
Cinematography by: Michael McMurray
Edited by: David Crabtree
Visual Effects Artist
'Psych' Daredevils! (2008)
Directed by: John Badham
Cinematography by: Michael McMurray
Visual Effects Artist
'Psych' Christmas Joy (2008)
Directed by: John Landis
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Visual Effects Artist
'Psych' Gus Walks Into a Bank (2008)
Directed by: Eric Laneuville
Cinematography by: Michael McMurray
Visual Effects Artist
'Psych' Talk Derby to Me (2008)
Directed by: Steve Miner
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Visual Effects Artist
'Psych' There Might Be Blood (2008)
Directed by: John Badham
Cinematography by: Michael McMurray
Edited by: David Crabtree
Visual Effects Artist
'Psych' Murder?... Anyone?... Anyone?... Bueller? (2008)
Directed by: Michael McMurray
Cinematography by: Michael McMurray
Edited by: David Crabtree
Visual Effects Artist
'Psych' Ghosts (2008)
Directed by: Stephen Surjik
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Visual Effects Artist
'Psych' Disco Didn't Die. It Was Murdered! (2008)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Visual Effects Artist
'Psych' The Greatest Adventure in the History of Basic Cable (2008)
Directed by: Jay Chandrasekhar
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Visual Effects Artist - 16 Episodes, 2008-2009
Psych (2006)
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
