Visual Effects Supervisor: For Peerless - 6 Episodes, 2021-2022
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Visual Effects Supervisor
'The White Princess' Two Kings (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Visual Effects Supervisor - 8 Episodes, 2017
The White Princess (2017)
Cinematography by: Chris Seager
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor
'The White Princess' Old Curses (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Visual Effects Supervisor
'The White Princess' English Blood on English Soil (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Visual Effects Supervisor
'The White Princess' The Pretender (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Visual Effects Supervisor
'The White Princess' Traitors (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Visual Effects Supervisor
'The White Princess' Burgundy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Visual Effects Supervisor
'The White Princess' Hearts and Minds (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Visual Effects Supervisor
'The White Princess' In Bed with the Enemy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Additional Visual Effects Supervisor
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Visual Effects Consultant: Peerless Camera Company
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects Supervisor
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Supervisor
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Consultant: Peerless Camera Company
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Visual Effects Consultant: Peerless Camera Company
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Consultant: Peerless
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Visual Effects Supervisor
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Visual Effects Supervisor
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Visual Effects Supervisor
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Visual Effects Supervisor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Visual Effects Supervisor
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Digital Effects Supervisor
Ravenous (1999)
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Visual Effects Supervisor
Angela's Ashes (1999)
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Visual Effects Supervisor
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Visual Effects Supervisor
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Visual Effects Supervisor: Peerless Camera Co.
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Visual Effects Supervisor
Mary Reilly (1996)
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Lesley Walker
Visual Effects Supervisor
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Optical Effects Technician
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Visual Effects Supervisor: Peerless Camera
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Visual Effects Supervisor
Arizona Dream (1993)
Directed by: Emir Kusturica
Cinematography by: Vilko Filac
Cameras: Panavision Cameras
Visual Effects
In the Name of the Father (1993)
Directed by: Jim Sheridan
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Visual Effects Supervisor
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Visual Effects
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Optical Effects Supervisor: Peerless Camera Co. Ltd.
The Adventures of Baron Munchausen (1988)
Directed by: Terry Gilliam
Cinematography by: Giuseppe Rotunno
Edited by: Peter Hollywood
Matte Supervisor
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Opticals Effects, Titles
Brazil (1985)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Julian Doyle
Cameras: J-D-C Camera
Lenses: Kinoptik Lenses, Zeiss Lenses
Optical Effects: Peerless Camera Co.
Monty Python's Life of Brian (1979)
Directed by: Terry Jones
Cinematography by: Peter Biziou
Edited by: Julian Doyle
Camera Operator: Rostrum Camera
Monty Python and the Holy Grail (1975)
Cinematography by: Terry Bedford
Edited by: John Hackney
Cameras: ARRIFLEX 35 BL Camera
