Chris M. Cooper

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21 Bridges | ShotOnWhat?

Vfx Compositor

21 Bridges (2019)

Directed by: Brian Kirk

Cinematography by: Paul Cameron

Edited by: Tim Murrell

Cameras: ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Maniac | ShotOnWhat?

Digital Compositor - 3 Episodes, 2018

Maniac (2018)

Directed by: Cary Joji Fukunaga

Cinematography by: Darren Lew

Edited by: Pete Beaudreau, Tim Streeto

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Green Book | ShotOnWhat?

Compositor

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

"Vinyl" Pilot | ShotOnWhat?

Senior Digital Compositor: Method Studios

'Vinyl' Pilot (2016)

Television Episode

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: David Tedeschi

Vinyl | ShotOnWhat?

Senior Digital Compositor: Method Studios - 1 Episode, 2016

Vinyl (2016)

Television Series

Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett

Cinematography by: Reed Morano, David Franco, Rodrigo Prieto

Edited by: Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Focus | ShotOnWhat?

Compositor: Method Studios, New York / Paint Supervisor

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Creed | ShotOnWhat?

Visual Effects Artist

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

The Judge | ShotOnWhat?

Compositor

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Paint Supervisor: Method Studios, New York

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Homefront | ShotOnWhat?

Compositor / Data Wrangler

Homefront (2013)

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Wolf of Wall Street | ShotOnWhat?

Digital Artist: Method Studios

The Wolf of Wall Street (2013)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Olympus Has Fallen | ShotOnWhat?

Digital Compositor / On-set Data Wrangler

Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Texas Chainsaw 3D | ShotOnWhat?

On-set Data Wrangler / Visual Effects Artist

Texas Chainsaw 3D (2013)

Directed by: John Luessenhop

Cinematography by: Anastas N. Michos

Edited by: Randy Bricker

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Editing System: Avid Editing System

The Paperboy | ShotOnWhat?

Visual Effects Artist

The Paperboy (2012)

Directed by: Lee Daniels

Cinematography by: Roberto Schaefer

Edited by: Joe Klotz

Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Playing for Keeps | ShotOnWhat?

Compositor: 2D

Playing for Keeps (2012)

Directed by: Gabriele Muccino

Cinematography by: Peter Menzies Jr.

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Iceman | ShotOnWhat?

2d Compositor: Worldwide FX , Vfx On-set Coordinator

The Iceman (2012)

Directed by: Ariel Vromen

Cinematography by: Bobby Bukowski

Edited by: Danny Rafic

Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera

Lenses: Panavision Lenses, Panavision Ultra Speed MKII Lenses

Drive Angry | ShotOnWhat?

Visual Effects Artist

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Trespass | ShotOnWhat?

Digital Compositor

Trespass (2011)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Mechanic | ShotOnWhat?

Compositor / Visual Effects Artist

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

I Spit on Your Grave | ShotOnWhat?

Production Assistant

I Spit on Your Grave (2010)

Directed by: Steven R. Monroe

Cinematography by: Neil Lisk

Edited by: Daniel Duncan

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