Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.1 (2024)
Directed by: Issa López
Cinematography by: Florian Hoffmeister
Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.2 (2024)
Directed by: Issa López
Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.3 (2024)
Directed by: Issa López
Edited by: Brenna Rangott
Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.4 (2024)
Directed by: Issa López
Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.6 (2024)
Directed by: Issa López
Edited by: Brenna Rangott
Visual Effects Compositor: Goldcrest VFX
'True Detective' Episode #4.5 (2024)
Directed by: Issa López
Compositor: Goldcrest VFX
The Banshees of Inisherin (2022)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Mikkel E.G. Nielsen
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime Lenses
Visual Effects Compositor: Molinare VFX
'The Crown' Olding (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.1 (2019)
Directed by: Julian Farino
Cinematography by: David Odd
Edited by: Elen Pierce Lewis
Visual Effects Compositor: Molinare VFX - 8 Episodes, 2019
Giri/Haji (2019)
Cameras: Sony CineAlta VENICE Camera
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.8 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Elen Pierce Lewis
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.7 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.6 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.5 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.4 (2019)
Directed by: Julian Farino
Cinematography by: David Odd
Edited by: Elen Pierce Lewis
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.3 (2019)
Directed by: Julian Farino
Cinematography by: David Odd
Visual Effects Compositor: Molinare VFX
'Giri/Haji' Episode #1.2 (2019)
Directed by: Julian Farino
Cinematography by: David Odd
Edited by: Elen Pierce Lewis
Visual Effects Compositor: Molinare VFX
'The Crown' Margaretology (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Visual Effects Compositor: Molinare VFX
'The Crown' Aberfan (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Visual Effects Compositor: Molinare VFX
'The Crown' Bubbikins (2019)
Directed by: Benjamin Caron
Edited by: Frances Parker
Visual Effects Compositor: Molinare VFX
'The Crown' Coup (2019)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Simon Brasse
Visual Effects Compositor: Molinare VFX
'The Crown' Tywysog Cymru (2019)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Adam Bosman
Visual Effects Compositor: Molinare VFX
'The Crown' Moondust (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Paulo Pandolpho
Visual Effects Compositor: Molinare VFX
'The Crown' Dangling Man (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Peggy Koretzky
Visual Effects Compositor: Molinare VFX
'The Crown' Imbroglio (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Daniel Greenway
Visual Effects Compositor: Molinare VFX
'The Crown' Cri de Coeur (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Celia Haining
Digital Compositor: MPC
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor: MPC
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Digital Compositor
Mechanic: Resurrection (2016)
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Digital Compositor
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Compositor
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Compositor
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Compositor: Jellyfish Pictures
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects Compositor: Molinare VFX - 10 Episodes, 2019
The Crown (2016)
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Digital Compositor
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Compositor
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Visual Effects Compositor: Goldcrest VFX - 6 Episodes, 2024
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Digital Compositor
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Digital Compositor
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Compositor: 2D
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Digital Compositor
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Digital Compositor
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Digital Artist
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Artist
Pterodactyl (2005)
Directed by: Mark L. Lester
Cinematography by: George Mooradian
Edited by: Donn Aron
Cameras: ARRI Cameras
Compositor: Worldwide FX
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
