Account Executive
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Digital Intermediate Account Executive: Company 3
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Account Executive: Company 3
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Account Executive: Company 3
12 Years a Slave (2013)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Account Executive: Deluxe New York
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Account Executive: CO3
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Digital Intermediate Account Executive
Celeste & Jesse Forever (2012)
Directed by: Lee Toland Krieger
Cinematography by: David Lanzenberg
Edited by: Yana Gorskaya
Cameras: ARRI ALEXA Camera
Digital Intermediate Account Executive: Company 3
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Account Executive
Caroline and Jackie (2012)
Directed by: Adam Christian Clark
Cinematography by: Christian Swegal
Cameras: Red One MX Camera
Digital Intermediate Producer
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Account Executive: Company 3
Love, Wedding, Marriage (2011)
Directed by: Dermot Mulroney
Cinematography by: Óttar Guðnason
Edited by: Heather Persons
Digital Intermediate Director Feature Sales
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Digital Intermediate Account Executive
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Account Executive: Company 3
Machine Gun Preacher (2011)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Digital Intermediate Account Executive
Drive (2011)
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Digital Intermediate Account Executive
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Digital Intermediate Account Executive
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Digital Intermediate Producer
Nothing But the Truth (2008)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Digital Intermediate Producer
What Doesn't Kill You (2008)
Directed by: Brian Goodman
Cinematography by: Christopher Norr
Edited by: Robert Hoffman
Digital Intermediate On-line Producer: Company 3
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Digital Intermediate Producer
Pathfinder (2007)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Digital Intermediate Producer
I'm Reed Fish (2006)
Directed by: Zackary Adler
Cinematography by: Doug Chamberlain
Edited by: Yuka Ruell
Digital Intermediate Producer: Company 3
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Digital Intermediate Producer: Company 3
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Digital Intermediate Supervisor
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Digital Intermediate Producer
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Second Assistant Editor
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
First Assistant Editor
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
First Assistant Film Editor
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Assistant Editor
Angela's Ashes (1999)
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Assistant Film Editor
Runaway Bride (1999)
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Assistant Editor
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Second Assistant Editor
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Assistant Editor
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Second Assistant Editor
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
