Visual Effects Supervisor
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Visual Effects Supervisor
'Fargo' The Crocodile's Dilemma (2014)
Directed by: Adam Bernstein
Cinematography by: Matthew J. Lloyd
Edited by: Skip Macdonald
Visual Effects Supervisor - 1 Episode, 2014
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Second Unit
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects Supervisor
Blood Done Sign My Name (2010)
Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates
Additional Visual Effects Plate Supervisor
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Visual Effects Supervisor
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Visual Effects Supervisor
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Visual Effects Supervisor
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
2D Visual Effects Supervisor
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Visual Effects Supervisor
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Visual Effects Supervisor
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Additional Visual Effects Supervisor
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Visual Effects Supervisor
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Visual Effects Supervisor: The Post Group's Digital Film Group
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Visual Effects Supervisor: Hollywood Digital
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Motion Control Operator
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Visual Effects Supervisor: Hollywood Digital
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Supervisor: Hollywood Digital
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Motion Control Operator
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Visual Effects Supervisor: MetroLight Studios
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Effects Supervisor
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Visual Effects Supervisor: MetroLight Studios
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Color Imaging Supervisor: MetroLight Studios
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Motion Control Operator
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Camera Operator: Special Photographic Effects
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Animation Compositing Camera
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses