Still Photographer
Causeway (2022)
Directed by: Lila Neugebauer
Cinematography by: Diego García
Cameras: ARRI ALEXA LF Camera
Lenses: Panavision H Series Lenses
Still Photographer
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Still Photographer
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Still Photographer
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Still Photographer
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Still Photographer
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Still Photographer
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Still Photographer
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Still Photographer
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Still Photographer
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Still Photographer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Still Photographer
Darling Companion (2012)
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Still Photographer
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Still Photographer
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Still Photographer
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Still Photographer: Texas
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Still Photographer
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Still Photographer
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Gaffer
Arnolds Park (2007)
Directed by: Gene Teigland
Cinematography by: Craig Peterschmidt
Edited by: Gene Teigland
Additional Electrician
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Electrician
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Driver: Electric, Electrician: Minneapolis
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Electrician
Joe Somebody (2001)
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Electrical Lighting Technician
The Straight Story (1999)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold II Camera
Electrician
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Best Boy
That Darn Cat (1997)
Directed by: Bob Spiers
Cinematography by: Jerzy Zielinski
Edited by: Roger Barton
Electrician
Mallrats (1995)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Rigging Electrician
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
