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Dailies | 54 Titles

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Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

Le militaire (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski

Starring | Laurent Lucas, Noémie Godin-Vigneau, Harry Standjofski

Cameras | Aaton XTR Prod Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Razorback (1984)

Motion Picture | 2D | Film Project | Color | 95 Minutes

Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson

Starring | Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood

Cameras | Panavision Panaflex Gold Camera

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

The Stroller Strategy (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré

Starring | Raphaël Personnaz, Charlotte Le Bon, Jérôme Commandeur

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Room X (2008)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 8 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams

Starring | Andrew Lawton, Yuko Takahashi, Hiromi Saeki, Pen Williams

Cameras | Bolex H16 SB Camera

Lenses | Angenieux Lenses

Zombie Ed (2013)

Direct to Video | Color | 104 Minutes

Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks

Starring | William Cutting, Kelly Petering, Myles McLane

Cameras | Nikon D4 Camera

Lenses | Nikon - Nikkor Lenses

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Al Medina (2015)

Movie | 2K Project | Color | 90 Minutes

Al Medina | ShotOnWhat?

Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi

Starring | Sara Hjort Ditlevsen, Ashraf Farah, Omar Shargawi

Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras

Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Reuniting the Rubins (2010)

Motion Picture | 2D | 2K Project | Color | 2.35:1 | 97 Minutes

Directed by | Yoav Factor | Cinematography by | Miles Cook | Editing by | Ben King, Anthony Stadler

Starring | Timothy Spall, James Callis, Rhona Mitra, Honor Blackman

Cameras | ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Lenses

Il ragazzo invisibile: Fratelli (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione

Starring | Ludovico Girardello, Kseniya Rappoport, Galatéa Bellugi, Ivan Franek

Cameras | ARRI ALEXA XT Camera

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