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Incandescent Lighting  |  94 Titles

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Gimme the Loot   (2012)

  |    |    |    |  81 Minutes
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Lenses |

Trade of Innocents   (2012)

  |    |    |    |  88 Minutes

Mojave Phone Booth   (2006)

  |    |    |    |    |  88 Minutes
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Officer Down   (2013)

  |    |    |    |  110 Minutes

For Your Consideration   (2006)

  |    |  Color  |    |  86 Minutes

The Paperboy   (2012)

  |    |  Color  |    |  107 Minutes

Stay   (2005)

  |    |  Color  |    |  15 Minutes

Cockneys vs Zombies   (2012)

  |    |  Color  |  88 Minutes
Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer
Cameras |

Puberty Blues   (2012)

  |    |  Color  |  45 Minutes

And They’re Off   (2011)

  |    |  Color  |    |  90 Minutes
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras |

1000 to 1: The Cory Weissman Story   (2014)

  |    |    |    |  99 Minutes

The Feed   (2010)

  |    |  Color  |  73 Minutes
Directed by | Steve Gibson | Cinematography by | Seth Drick, Steve Gibson, Sam Nelsen | Editing by | Steve Gibson, Ben Watts
Cameras |

Steen’s Revenge – Volume 1   (2012)

  |    |  Color  |    |  27 Minutes
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Lenses |

Push   (2009)

  |    |  Color  |  111 Minutes

Inner City Snow   (2009)

  |    |    |    |  138 Minutes

Drowning Mona   (2000)

  |    |  Color  |    |  96 Minutes

Stranger Than Fiction   (2006)

  |    |    |    |  113 Minutes

Neighbor   (2009)

  |    |    |    |  90 Minutes

Monster’s Ball   (2001)

  |    |    |    |  111 Minutes

The Sons of Tennessee Williams   (2010)

  |    |  Color, Black and White  |    |  75 Minutes
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff