Cooke Spherical Lenses | 471 Titles
It Follows (2014)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Miss Tacuarembó (2010)
Directed by | Martín Sastre | Cinematography by | Pedro Luque | Editing by | Sebastián Dubé
Cameras | Red One Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
Trainwreck (2015)
Directed by | Judd Apatow | Cinematography by | Jody Lee Lipes | Editing by | William Kerr, Paul Zucker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke 5/i Lenses
Mai wei (2011)
Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park
Cameras | Red One Camera
Grand Piano (2013)
Directed by | Eugenio Mira | Cinematography by | Unax Mendia | Editing by | José Luis Romeu, Rodrigo Cortés
Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Pop Redemption (2013)
Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Camera
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
The Search (2014)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Maestro (2014)
Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
Anything for Alice (2014)
Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
On a marché sur Bangkok (2014)
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Bon rétablissement ! (2014)
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Mandela: Long Walk to Freedom (2013)
Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Timbuktu (2014)
Directed by | Abderrahmane Sissako | Cinematography by | Sofian El Fani | Editing by | Nadia Ben Rachid
Cameras | ARRI ALEXA Plus Camera
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
