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ARRI / Zeiss Master Anamorphic Lenses : 24ARRI / Zeiss Zoom Lenses : 20Zeiss ARRI Macro Lenses : 7Zeiss Master Prime Lenses : 248Zeiss Standard Speed Prime Lenses : 50Zeiss Super Speed Lenses : 133Zeiss Ultra 16 Lenses : 15Zeiss Ultra Prime Lenses : 236Zeiss Variable Prime Lenses : 14

ARRI / Zeiss Lenses | 691 Titles

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Frida (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot

Starring | Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

33 Days (2012)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi

Starring | Carmen Lebbos, Youssef El Khal, Nesrine Tafesh, Bassem Moughnieh

Cameras | ARRIFLEX Camera

Lenses | ARRI / Zeiss Lenses

Dredd (2012)

Motion Picture | 3D | Color | 2.35:1 | 95 Minutes

Dredd | ShotOnWhat?

Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley

Starring | Karl Urban, Olivia Thirlby, Lena Headey, Rachel Wood

Cameras | Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses | Zeiss Ultra Prime Lenses

City Unplugged (1993)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Ilkka Järvi-Laturi | Cinematography by | Rein Kotov | Editing by | Christopher Tellefsen

Starring | Ivo Uukkivi, Milena Gulbe, Monika Mäger, Enn Klooren

Cameras | ARRIFLEX Camera

Lenses | ARRI / Zeiss Lenses

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

2 Days in New York (2012)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

2 Days in New York | ShotOnWhat?

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck

Starring | Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau

Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Oldeuboi (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim

Starring | Min-sik Choi, Ji-tae Yu, Hye-jeong Kang, Dae-han Ji

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Kundun (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker

Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses

Colombiana (2011)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Colombiana | ShotOnWhat?

Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre

Starring | Zoe Saldaña, Michael Vartan, Callum Blue, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Hollow Man (2000)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone

Starring | Kevin Bacon, Elisabeth Shue, Josh Brolin, Kim Dickens

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Seeking a Friend for the End of the World (2012)

Motion Picture | 2D | Black and White, Color | 2.35:1 | 101 Minutes

Seeking a Friend for the End of the World | ShotOnWhat?

Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker

Starring | Steve Carell, Keira Knightley, Melanie Lynskey, Patton Oswalt

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

I Am Number Four (2011)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

I Am Number Four | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page

Starring | Alex Pettyfer, Timothy Olyphant, Dianna Agron, Teresa Palmer

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Jane Eyre (2011)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver

Starring | Mia Wasikowska, Michael Fassbender, Jamie Bell, Su Elliot

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

I Killed My Mother (2009)

Motion Picture | 2D | Color, Black and White | 96 Minutes

I Killed My Mother | ShotOnWhat?

Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard

Starring | Anne Dorval, Xavier Dolan, François Arnaud, Suzanne Clément

Cameras | Red One Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

The Affair of the Necklace (2001)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz

Starring | Hilary Swank, Simon Baker, Jonathan Pryce, Adrien Brody

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Haunted – 3D (2011)

Motion Picture | 3D | Color | 143 Minutes

Haunted – 3D | ShotOnWhat?

Directed by | Vikram Bhatt | Cinematography by | Pravin Bhatt | Editing by | Kuldip K. Mehan

Starring | Tia Bajpai, Krishna Bhatt, Krishna Bhatt, Mimoh Chakraborty

Cameras | Silicon Imaging SI-2K Camera

Lenses | Zeiss Ultra 16 Lenses

Struck by Lightning (2012)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Struck by Lightning | ShotOnWhat?

Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan

Starring | Chris Colfer, Rebel Wilson, Christina Hendricks, Dermot Mulroney

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

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