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Panavision | 1545 Titles

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The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bruce Almighty (2003)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 101 Minutes

Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill

Starring | Jim Carrey, Jennifer Aniston, Morgan Freeman, Philip Baker Hall

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Mad Men (2007)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 47 Minutes

| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Starring | Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones

Cameras | ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Vikings (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Starring | Katheryn Winnick, Gustaf Skarsgård, Alexander Ludwig, Georgia Hirst

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision Lenses

Modern Family (2009)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | James R. Bagdonas, Hugo Cortina, Brandon Mastrippolito, David Hennings | Editing by | Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy

Starring | Ed O'Neill, Sofía Vergara, Julie Bowen, Ty Burrell

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Crucible (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar

Starring | Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

The Killing (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Gregory Middleton, Peter Wunstorf, Brian Johnson | Editing by | Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler

Starring | Mireille Enos, Joel Kinnaman, Billy Campbell, Liam James

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Mirror Has Two Faces (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner

Starring | Barbra Streisand, Jeff Bridges, Lauren Bacall, George Segal

Cameras | Panavision Panaflex Camera

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Immortals (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom

Starring | Henry Cavill, Mickey Rourke, John Hurt, Stephen Dorff

Cameras | Panavision Genesis Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

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