Panavision ~ Lens Maker | 1483 Titles
The Game (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
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Twin Peaks (1990)
Country | USA
Type | Television Series
Running Time | 47 Minutes
Aspect Ratio | 1.33:1 (4x3)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Cameras | ARRIFLEX Camera, Panavision Panaflex Camera
Lenses | Panavision Lenses
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CSI: Miami (2002)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Lost Girl (2010)
Country | Canada
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
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Royal Pains (2009)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Elf (2003)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental
Cameras | Panavision Cameras
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Bright (2017)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Aaron Brock, Geoffrey O'Brien, Michael Tronick
Lenses | Panavision Lenses
modified:
La La Land (2016)
Country | USA, Hong Kong
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
modified:
Flock of Four (2017)
Country | USA
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 2.39:1
Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown
Cameras | ARRI ALEXA XT Plus Camera
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Legends of the Hidden Temple: The Movie (2016)
Country | USA
Type | Motion Picture, Television Movie
Running Time | 65 Minutes
Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens
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American Wedding (2003)
Country | USA, Germany
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy
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Vamps (2012)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Amy Heckerling | Cinematography by | Tim Suhrstedt | Editing by | Debra Chiate
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Hawthorne (2009)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Frank Byers, John Newby, Peter Menzies Jr. | Editing by | Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork
Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses | ARRI Lenses, Panavision Lenses
modified:
Two and a Half Men (2003)
Country | USA
Type | Television Episode, Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
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Trust (2010)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crise
modified:
Arthur (2011)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 1.85:1
Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White
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Abduction (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
modified:
Old Dogs (2009)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Walt Becker | Cinematography by | Jeffrey L. Kimball | Editing by | Ryan Folsey, Tom Lewis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Secrets & Lies (1996)
Country | UK, France
Type | Motion Picture
Running Time | 136 Minutes
Aspect Ratio | 1.85:1
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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