Hawk | 103 Titles
Emperor (2012)
Directed by | Peter Webber | Cinematography by | Stuart Dryburgh | Editing by | Chris Plummer
Lenses | Hawk V-Lite Lenses
The Secret Life of Walter Mitty (2013)
Directed by | Ben Stiller | Cinematography by | Stuart Dryburgh | Editing by | Greg Hayden
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
RED 2 (2013)
Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk V-Lite Lenses
Dead Man Down (2013)
Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Trance (2013)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Safe Haven (2013)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
LUV (2012)
Directed by | Sheldon Candis | Cinematography by | Gavin Kelly | Editing by | Jeff Wishengrad
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Collection (2012)
Directed by | Marcus Dunstan | Cinematography by | Sam McCurdy | Editing by | Kevin Greutert, Mark Stevens
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Promised Land (2012)
Directed by | Gus Van Sant | Cinematography by | Linus Sandgren | Editing by | Billy Rich
Lenses | Hawk V-Lite Lenses
Hypnotisören (2012)
Directed by | Lasse Hallström | Cinematography by | Mattias Montero | Editing by | Sebastian Amundsen, Thomas Täng
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Americano (2011)
Directed by | Mathieu Demy | Cinematography by | Georges Lechaptois | Editing by | Jean-Baptiste Morin
Cameras | ARRIFLEX 416 Camera
The Old Man Who Read Love Stories (2001)
Directed by | Rolf de Heer | Cinematography by | Denis Lenoir | Editing by | Tania Nehme
Cameras | Moviecam Compact Camera
Days of Glory (2006)
Directed by | Rachid Bouchareb | Cinematography by | Patrick Blossier | Editing by | Yannick Kergoat
Lenses | Hawk Anamorphic Lenses
Pan Tadeusz (1999)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
