Angenieux | 786 Titles
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Cyprien (2009)
Directed by | David Charhon | Cinematography by | Antoine Roch | Editing by | Sophie Reine
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Contraband (2012)
Directed by | Baltasar Kormákur | Cinematography by | Barry Ackroyd | Editing by | Elísabet Ronaldsdóttir
Cameras | Aaton Penelope Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
La guerre est déclarée (2011)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Secret défense (2008)
Directed by | Philippe Haïm | Cinematography by | Jérôme Alméras | Editing by | Sylvie Landra
Cameras | ARRICAM Lite (LT) Camera
Green Zone (2010)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
L’amour dure trois ans (2011)
Directed by | Frédéric Beigbeder | Cinematography by | Yves Cape | Editing by | Stan Collet, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Lenses
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Farewell, My Queen (2012)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Luc Barnier, Nelly Ollivault
Cameras | ARRI ALEXA Camera
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
In a Better World (2010)
Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Egholm
Cameras | Red One Camera
Lenses | Angenieux Lenses
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
Mesrine Part 2: Public Enemy #1 (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera
My Name Is Khan (2010)
