Angenieux | 786 Titles
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
The Black Dahlia (2006)
Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Seuls Two (2008)
Directed by | Ramzy Bedia, Eric Judor | Cinematography by | Philippe Piffeteau | Editing by | Sébastien de Sainte Croix, Jean-Christophe Hym
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Man to Man (2005)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
Tsotsi (2005)
Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Moviecam Compact Camera
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
The Kite Runner (2007)
Killing Bono (2011)
Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Habemus Papam (2011)
Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria
Un heureux événement (2011)
Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine
Cameras | ARRICAM Studio (ST) Camera
La pirogue (2012)
Directed by | Moussa Touré | Cinematography by | Thomas Letellier | Editing by | Josie Miljevic
Cameras | Sony SRW-9000PL Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
A Thousand Words (2012)
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
























































