Fujifilm Neg. Film | 194 Titles
Discontinued: 2013
Sideways (2004)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
West Bank Story (2005)
Directed by | Ari Sandel | Cinematography by | Gavin Kelly | Editing by | Avi Youabian
Cameras | Panavision Panaflex Gold II Camera
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
La Vie en Rose (2007)
Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Diving Bell and the Butterfly (2007)
Directed by | Julian Schnabel | Cinematography by | Janusz Kaminski | Editing by | Juliette Welfling
Cameras | ARRIFLEX 435 Camera
Il divo – La spettacolare vita di Giulio Andreotti (2008)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Warsaw ’44 (2014)
Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki
Cameras | ARRICAM Lite (LT) Camera
Dirty Pretty Things (2002)
Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Oranges and Sunshine (2010)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
The Invisible Woman (2013)
Warrior (2011)
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The History Boys (2006)
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
The Grandmaster (2013)
Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Cornouaille (2012)
Plan de table (2012)
Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses