Film Negative Stock » Fujifilm Neg. Film

Fujifilm Color A 250T 8518/8528 Neg. Film : 1Fujifilm Eterna 250D 8563/8663 Neg. Film : 55Fujifilm Eterna 250T 8553/8653 Neg. Film : 23Fujifilm Eterna 400T 8583/8683 Neg. Film : 20Fujifilm Eterna 500T 8573/8673 Neg. Film : 82Fujifilm Eterna Vivid 160T 8543/8643 Neg. ... : 26Fujifilm Eterna Vivid 250D 8546/8646 Neg. ... : 8Fujifilm Eterna Vivid 500T 8547/8647 Neg. ... : 28Fujifilm F-Series 125T 8530/8630 Neg. Film : 2Fujifilm F-Series F-250D 8560/8660 Neg. Fi... : 1Fujifilm F-Series F-250T 8550/8650 Neg. Fi... : 2Fujifilm F-Series F-500T 8570/8670 Neg. Fi... : 3Fujifilm F-Series F-64D 8520/8620 Neg. Fil... : 3Fujifilm F-Series F-64T 8510/8610 Neg. Fil... : 3Fujifilm Reala 500D 8592/8692 Neg. Film : 24Fujifilm Super F-Series F-125T 8532/8632 N... : 11Fujifilm Super F-Series F-250D 8562/8662 N... : 10Fujifilm Super F-Series F-250T 8552/8652 N... : 9Fujifilm Super F-Series F-400T 8582/8682 N... : 5Fujifilm Super F-Series F-500T 8572/8672 N... : 24Fujifilm Super F-Series F-64D 8522/8622 Ne... : 24

Fujifilm Neg. Film | 198 Titles

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Discontinued: 2013

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Green Planet (2003)

Short Film | 2D | Color | 1.85:1 | 13 Minutes

Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman

Starring | Jared Cohn, Jonah Keel, Tyler Norman, Roy Parras

Cameras | Canon Scoopic 16 / 16M Camera

Til the End of the Day (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier

Starring | Keegan Bush, Jordan Delorme, Callen Diederichs, Jean-Sebastien Gauthier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Lenses

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Beyond the Black Rainbow (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard

Starring | Eva Bourne, Michael J Rogers, Scott Hylands, Rondel Reynoldson

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The Mist (2007)

Motion Picture | 2D | 2K Project | Color | 126 Minutes

Directed by | Frank Darabont | Cinematography by | Rohn Schmidt | Editing by | Hunter M. Via

Starring | Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Secrets & Lies (1996)

Motion Picture | 2D | Color | 1.85:1 | 136 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory

Starring | Timothy Spall, Brenda Blethyn, Phyllis Logan, Claire Rushbrook

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Sideways (2004)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

West Bank Story (2005)

Motion Picture | 2D | Color | 1.85:1 | 21 Minutes

Directed by | Ari Sandel | Cinematography by | Gavin Kelly | Editing by | Avi Youabian

Starring | Ben Newmark, Noureen DeWulf, A.J. Tannen, Joey Naber

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Time That Remains (2016)

Short Film | 2D | 2K Project | Black & White, Color | 1.85:1 | 15 Minutes

Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro

Starring | Morningstar Angeline, Trey Caperton, Erik Gonzales, Joy Liesveld

Cameras | Aaton XTR Prod Camera

Lenses | Canon EC Series Lenses

La Vie en Rose (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy

Starring | Marion Cotillard, Sylvie Testud, Pascal Greggory, Emmanuelle Seigner

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Diving Bell and the Butterfly (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 112 Minutes

Directed by | Julian Schnabel | Cinematography by | Janusz Kaminski | Editing by | Juliette Welfling

Starring | Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny

Cameras | ARRIFLEX 435 Camera

Lenses | ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Il divo – La spettacolare vita di Giulio Andreotti (2008)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 110 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Anna Bonaiuto, Giulio Bosetti, Flavio Bucci

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

Dirty Pretty Things (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley

Starring | Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

The Invisible Woman (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Ralph Fiennes | Cinematography by | Rob Hardy | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander

Cameras | ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

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