Eastman Kodak Film Mfg | 1463 Titles
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
The Fifth Element (1997)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses | Zeiss Lenses
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Catch Me If You Can (2002)
The Taking of Pelham 1 2 3 (2009)
Directed by | Tony Scott | Cinematography by | Tobias A. Schliessler | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Winged Migration (2001)
Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte
Lenses | Panavision Lenses
Salem’s Lot (2004)
A Good Year (2006)
Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan
Cameras | ARRICAM Lite (LT) Camera
Clockstoppers (2002)
Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras
Mesrine Part 2: Public Enemy #1 (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera
Killing Them Softly (2012)
Directed by | Andrew Dominik | Cinematography by | Greig Fraser | Editing by | John Paul Horstmann, Brian A. Kates
Lenses | Panavision HS50 50 mm T1.1 Lens
Equilibrium (2002)
Directed by | Kurt Wimmer | Cinematography by | Dion Beebe | Editing by | Tom Rolf, William Yeh
Lenses | Panavision Lenses
Ils se marièrent et eurent beaucoup d’enfants (2004)
Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Adaptation. (2002)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Cameras | Panavision Panaflex Millennium XL Camera
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Once Upon a Time in Mexico (2003)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
