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Kodak Film Labs, London : 5

Kodak Film Labs | 14 Titles

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The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Star Wars: Episode IX – The Rise of Skywalker (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube

Starring | Daisy Ridley, John Boyega, Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Vox Lux (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.66:1 | 114 Minutes

Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam

Starring | Natalie Portman, Jude Law, Stacy Martin

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

The Post (2017)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Meryl Streep, Tom Hanks, Sarah Paulson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Pokémon Detective Pikachu (2019)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas

Starring | Ryan Reynolds, Justice Smith, Kathryn Newton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Uncut Gems (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie

Starring | Adam Sandler, Julia Fox, Idina Menzel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

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