Non Linear Editing | 199 Titles
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Ship of Theseus (2012)
Directed by | Anand Gandhi | Cinematography by | Pankaj Kumar | Editing by | Sanyukta Kaza, Adesh Prasad, Satchit Puranik
Cameras | Canon EOS-1D Mark IV Camera
Ordinary (2013)
Hard Core Logo (1996)
Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses, Zeiss Zoom Lenses
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Sunnyside (1979)
The Garbage Pail Kids Movie (1987)
Directed by | Rod Amateau | Cinematography by | Harvey Genkins | Editing by | Leon Carrere, M. Edward Salier
Premaya Nam (2017)
Directed by | Kalpana Ariyawansa, Vindana Ariyawansa | Cinematography by | Jaan Shenberger | Editing by | Kalpana Ariyawansa, Jaan Shenberger
Cameras | Panasonic Lumix DMC-GH2 Camera, Sony PMW-F3 Camera
Lenses | Nikon AF NIKKOR 80-200 mm f2.8 ED Lens, Nikon Micro-NIKKOR 55 mm f3.5 Lens, Panasonic Lumix G Vario 14-42mm f3.5 Lens, Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X Pro FX 16-28 mm f2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Vivitar Series 1 28-105 mm f2.8-3.8 Macro Zoom Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens
Violent (2014)
Directed by | Andrew Huculiak | Cinematography by | Joseph Schweers | Editing by | Joseph Schweers
Cameras | Sony NEX-FS700 Camera
Cineastes (2014)
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Cameras | ARRI ALEXA Series Cameras
Lenses | Zeiss Lenses
Triumph67 (2010)
Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker
Cameras | Sony PMW-EX3 Camera
Lenses | Canon FD Series Lenses
DamNation (2014)
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
Breakup at a Wedding (2013)
Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter
Cameras | Sony PMW-EX1 Camera
A-List (2006)
Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses | Cooke Lenses
Con Games (2001)
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
