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Film Print Spherical | 212 Titles

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The Terminator (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt

Starring | Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

The Castle (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 85 Minutes

The Castle | ShotOnWhat?

Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett

Starring | Michael Caton, Anne Tenney, Stephen Curry, Anthony Simcoe

Cameras | ARRIFLEX 16SR2 Camera

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Wars: Episode V – The Empire Strikes Back (1980)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Cobra Verde (1987)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka

Starring | Klaus Kinski, King Ampaw, José Lewgoy

Cameras | ARRIFLEX 35 III Camera

Woodstock (1970)

Documentary | 2D | Film Project | Color | 184 Minutes

Directed by | Michael Wadleigh | Cinematography by | Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer | Editing by | Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee

Starring | Joan Baez, Richie Havens, Roger Daltrey, Joe Cocker

Cameras | Éclair NPR Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Clueless (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate

Starring | Alicia Silverstone, Stacey Dash, Brittany Murphy

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Lenses

Chopper (2000)

Motion Picture | 2D | Film Project | Color | 94 Minutes

Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows

Starring | Eric Bana, Simon Lyndon, Vince Colosimo

Disaster Movie (2008)

Motion Picture | Film Project | 1.85:1 | 87 Minutes

Disaster Movie | ShotOnWhat?

Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior

Starring | Carmen Electra, Vanessa Lachey, Nicole Parker, Matt Lanter

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Immortals (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom

Starring | Henry Cavill, Mickey Rourke, John Hurt, Stephen Dorff

Cameras | Panavision Genesis Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

Deconstructing Harry (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 96 Minutes

Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse

Starring | Woody Allen, Judy Davis, Julia Louis-Dreyfus, Stephanie Roth Haberle

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Rocky Balboa (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 102 Minutes

Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson

Starring | Sylvester Stallone, Antonio Tarver, Milo Ventimiglia, Burt Young

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses | Zeiss Master Prime Lenses

Parental Guidance (2012)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda

Starring | Billy Crystal, Bette Midler, Marisa Tomei, Tom Everett Scott

Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Trouble with Harry (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie

Starring | John Forsythe, Shirley MacLaine, Edmund Gwenn, Mildred Natwick

Cameras | VistaVision Cameras

The Man Who Knew Too Much (1956)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Doris Day, Brenda de Banzie, Bernard Miles

Cameras | VistaVision Cameras

Funny Face (1957)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht

Starring | Audrey Hepburn, Fred Astaire, Kay Thompson, Michel Auclair

Cameras | VistaVision Cameras

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