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DVD | 2011 Titles

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Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

The Artist (2011)

Motion Picture | 2D | 2K Project | Black & White | 2.39:1 | 100 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell

Cameras | ARRIFLEX 435 ES Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Four Assassins (2011)

Motion Picture | 2D | Color | 2.35:1 | 87 Minutes

Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter

Starring | Miguel Ferrer, Will Yun Lee, Mercedes López Renard, Ines Laimins

Cameras | Red One Camera

A Long Way Down (2014)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Pascal Chaumeil | Cinematography by | Ben Davis | Editing by | Chris Gill, Barney Pilling

Starring | Pierce Brosnan, Toni Collette, Imogen Poots, Aaron Paul

Cameras | ARRI ALEXA Camera

Charlie Countryman (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne

Starring | Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Til Schweiger

Cameras | ARRI ALEXA Camera

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Bicycling with Molière (2013)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman

Starring | Fabrice Luchini, Lambert Wilson, Maya Sansa, Camille Japy

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Elle s’en va (2013)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup

Starring | Catherine Deneuve, Némo Schiffman, Gérard Garouste, Camille

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Belle et Sébastien (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin

Starring | Félix Bossuet, Tchéky Karyo, Margaux Chatelier, Dimitri Storoge

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Au bout du conte (2013)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud

Starring | Agathe Bonitzer, Agnès Jaoui, Arthur Dupont, Jean-Pierre Bacri

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

20 ans d’écart (2013)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard

Starring | Virginie Efira, Pierre Niney, Charles Berling, Gilles Cohen

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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