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24 fps Distribution | 604 Titles

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Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

The Art of Racing in the Rain (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 109 Minutes

Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht

Starring | Milo Ventimiglia, Kevin Costner, Amanda Seyfried, Martin Donovan

Cameras | ARRI ALEXA SXT EV Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens

Measure of a Man (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Judy Greer, Donald Sutherland, Luke Wilson, Liana Liberato

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Van Helsing (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 131 Minutes

Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May

Starring | Hugh Jackman, Kate Beckinsale, Richard Roxburgh, Shuler Hensley

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Set Fire to the Stars (2014)

Motion Picture | 2D | HD Project | Black & White | 2.39:1 | 97 Minutes

Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones

Starring | Elijah Wood, Celyn Jones, Kelly Reilly, Steven Mackintosh

Cameras | ARRI ALEXA Series Cameras

The Vanishing (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg

Starring | Gerard Butler, Peter Mullan, Connor Swindells, Søren Malling

Cameras | ARRI Cameras

Dinosaur (2000)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson

Starring | D.B. Sweeney, Julianna Margulies, Samuel E. Wright, Alfre Woodard

Cameras | VistaVision Cameras

Call the Midwife (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Jurassic Park (1993)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn

Starring | Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

Sex Education (2019)

Television Series | 2D | 6K Project | Color | 2.0:1 | 45 Minutes

| Cinematography by | Jamie Cairney, Oli Russell | Editing by | Steve Ackroyd, David Webb, Calum Ross

Starring | Asa Butterfield, Gillian Anderson, Ncuti Gatwa, Emma Mackey

Cameras | Sony CineAlta VENICE Camera

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