Color | 3927 Titles
Balseros (2002)
Directed by | Carles Bosch, Josep Maria Domènech | Cinematography by | Josep Maria Domènech | Editing by | Ernest Blasi
De tweeling (2002)
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Vice (2013)
| Cinematography by | Jake Burghart, Jerry Ricciotti, Jackson Fager, Michael Lopez, Benji Lanpher, Rylan Scherer, Daniel Hollis, Spencer Chumbley, Matthew Nauser, Dan Cain, Christopher Gill, T.G. Firestone, Nate J. Anderson, Ryan Nethery, Giorgos Komakis, Claire Ward, Erik Angra, Andrew Cagle, Javier Manzano, Johnny Saint-Ours, Laura Hudock, David Malcolm, Omar Mullick, Charles Bergquist, Phil Caller, Mikhail Galustov, Koukoulis Konstantinos, Stamatis Loukos, Frederick Paxton, Robbie Stauder, Nikos Vamvakidis, Stephen Bailey, Benjamin Foley | Editing by | Joe Langford, Jared Perez, Andrew Pattison, Rob Cosentino, Richard Lowe, Shawn Killebrew, Paula Salhany, Tim Clancy, Roman Safiullin, Kelly Kendrick, Lise Lavallee, Greg Wright, Rebecca Adorno, Jarad Jeter, Daniela Quiroz, Seth Dalton, John Chimples, Denny Thomas, Jim Cricchi, Craig Kellerman, Dan Nelson, Adam Deniston, Catherine Lee, Patrick Mannion, Stefania Giannikou, Niharika Desai, Nick Carew, Ed Norris, Alexandra Davila, Eileen Kennedy, Christopher O'Coin, Daniel Paulauskas, Nikos Arapoglou, Barney Murray, Patrice Bowman, Amílcar Cariño Charlemagne, Max Avery Epstein, Reggie Hay, Adrian Hernandez, Ilaria Polsonetti, Mike Wallace
Road to Ferrari (2013)
Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor
Cameras | ARRI ALEXA Series Cameras, Canon Cameras
Sonic Highways (2014)
| Cinematography by | Kenny Stoff | Editing by | Grant MacDowell, Meg Ramsay, Scott D. Hanson, Brian David Lazarte, Kristin McCasey, Lenny Mesina
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Filly Brown (2012)
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras | Red One MX Camera
Lenses | Zeiss Lenses
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Evil (2003)
The Triplets of Belleville (2003)
Directed by | Sylvain Chomet | Editing by | Dominique Brune, Chantal Colibert Brunner, Dominique Lefever
Brother Bear (2003)
Finding Nemo (2003)
Directed by | Andrew Stanton, Lee Unkrich | Cinematography by | Sharon Calahan, Jeremy Lasky, Jericca Cleland | Editing by | David Ian Salter
Dirty Pretty Things (2002)
Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
The Dark Horse (2014)
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
Oranges and Sunshine (2010)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
Julieta (2016)
Crawlspace (2012)
Directed by | Justin Dix | Cinematography by | Simon Ozolins | Editing by | Dave Redman
Cameras | Red One Camera



















































