Color | 3927 Titles
Angel Eyes (2001)
Directed by | Luis Mandoki | Cinematography by | Piotr Sobocinski | Editing by | Gerald B. Greenberg
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Iron Lady (2011)
Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
Scary Movie 4 (2006)
Directed by | David Zucker | Cinematography by | Thomas E. Ackerman | Editing by | Craig Herring, Tom Lewis
Cameras | Panavision Genesis Camera
Swinging with the Finkels (2011)
Directed by | Jonathan Newman | Cinematography by | Dirk Nel | Editing by | Eddie Hamilton
Cameras | Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
The Master (2012)
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
The Saint (1997)
Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Aces High (1976)
Directed by | Jack Gold | Cinematography by | Gerry Fisher | Editing by | Anne V. Coates
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An American Crime (2007)
Directed by | Tommy O'Haver | Cinematography by | Byron Shah | Editing by | Melissa Kent
Cameras | Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Kramer vs. Kramer (1979)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Gerald B. Greenberg
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Charlie Wilson’s War (2007)
Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
We Own the Night (2007)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Shakespeare in Love (1998)
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
Life as a House (2001)
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
Angel Heart (1987)
Directed by | Alan Parker | Cinematography by | Michael Seresin | Editing by | Gerry Hambling
Cameras | ARRIFLEX 35mm Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
American Gothic (1987)
Directed by | John Hough | Cinematography by | Harvey Harrison | Editing by | John Victor Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses



































































