Color | 3927 Titles
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
White Blood (2023)
Directed by | Richard Williams | Cinematography by | Mark Brightwell
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
King Solomon’s Mines (1950)
Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters
Cameras | Technicolor 3-Strip Camera
Blindspotting (2018)
Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming
Bad Times at the El Royale (2018)
Ryan’s Daughter (1970)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
Lenses | Panavision Lenses
Prashna (2020)
Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase
Cameras | Sony PXW-FS7 Camera
Fiddler on the Roof (1971)
Directed by | Norman Jewison | Cinematography by | Oswald Morris | Editing by | Antony Gibbs, Robert Lawrence
Cameras | Panavision Silent Reflex PSR Camera
Upstream Color (2013)
Directed by | Shane Carruth | Cinematography by | Shane Carruth | Editing by | Shane Carruth, David Lowery
Cameras | Panasonic Lumix DMC-GH2 Camera
The Wizard of Oz (1939)
Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell
Black Panther: Wakanda Forever (2022)
Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver
Cameras | Sony CineAlta VENICE Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses
Wilson (1944)
Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean
Cameras | Technicolor 3-Strip Camera
Annihilation (2018)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling
Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses
Mission: Impossible – Fallout (2018)
Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton
Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses
Den of Thieves (2018)
Directed by | Christian Gudegast | Cinematography by | Terry Stacey | Editing by | David S. Cox, Joel Cox, Nathan Godley
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Vox Lux (2018)
Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam
Cameras | ARRICAM Lite (LT) Camera
Mean Streets (1973)
Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin
Cameras | ARRIFLEX 35 BL Camera
Cries & Whispers (1972)
Bound for Glory (1976)
Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones
Lenses | Panavision Lenses
