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Academy Color Encoding System (ACES) | 74 Titles

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Becoming Redwood (2012)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Jesse James Miller | Cinematography by | David Crone | Editing by | Charlie Renfrew

Starring | Ryan Grantham, Jennifer Copping, Chad Willett, Derek Hamilton

Cameras | Red One MX Camera

Lenses | Zeiss Super Speed Lenses

Arctic Air (2012)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | Bruce Worrall, Pieter Stathis, Michael C. Blundell | Editing by | Lara Mazur, Franco Pante, Rick Martin, Dan Krieger

Starring | Adam Beach, Pascale Hutton, Kevin McNulty, Stephen Lobo

The Good Son: The Life of Ray Boom Boom Mancini (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Jesse James Miller | Cinematography by | Ken Johns, Ian Kerr | Editing by | Charlie Renfrew

Starring | Ray 'Boom Boom' Mancini, Mickey Rourke, Ed O'Neill, Mark Kriegel

Cameras | Red One Camera

In Their Skin (2012)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Jeremy Power Regimbal | Cinematography by | Norm Li | Editing by | Austin Andrews

Starring | Selma Blair, Joshua Close, James D'Arcy, Rachel Miner

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dolphin Tale 2 (2014)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock

Starring | Morgan Freeman, Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Big Eyes (2014)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | JC Bond

Starring | Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Won’t Back Down (2012)

Motion Picture | 2D | Color | 2.35:1 | 121 Minutes

Directed by | Daniel Barnz | Cinematography by | Roman Osin | Editing by | Kristina Boden

Starring | Viola Davis, Maggie Gyllenhaal, Holly Hunter, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Chasing Mavericks (2012)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Michael Apted, Curtis Hanson | Cinematography by | Bill Pope | Editing by | John Gilbert

Starring | Jonny Weston, Gerard Butler, Elisabeth Shue, Abigail Spencer

Cameras | ARRI ALEXA Camera, Red Epic Camera

After Earth (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum

Starring | Jaden Smith, David Denman, Will Smith, Sophie Okonedo

Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Oblivion (2013)

Motion Picture | 2D | 4K Project | Color | 1.85:1, 2.39:1 | 124 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce

Starring | Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko

Cameras | Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

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