Academy Color Encoding System (ACES) | 82 Titles
Telescope (2013)
Directed by | Collin Davis, Matt Litwiller | Cinematography by | Travis LaBella | Editing by | Collin Davis
Deliverance Creek (2014)
Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal
Cameras | ARRI ALEXA Camera
Male stluczki (2014)
Directed by | Aleksandra Gowin, Ireneusz Grzyb | Cinematography by | Ita Zbroniec-Zajt | Editing by | Aleksandra Gowin, Ireneusz Grzyb
Kebab i horoskop (2014)
Min faster i Sarajevo (2016)
Directed by | Goran Kapetanovic | Cinematography by | Ita Zbroniec-Zajt | Editing by | Andreas Nilsson
Yarden (2016)
Directed by | Måns Månsson | Cinematography by | Ita Zbroniec-Zajt | Editing by | George Cragg
Cameras | ARRI ALEXA Camera
Svenskjävel (2014)
Gortimer Gibbon’s Life on Normal Street (2014)
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca
Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
Heaven Is for Real (2014)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Panavision Genesis Camera
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
No Good Deed (2014)
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
Think Like a Man Too (2014)
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
Bad Santa 2 (2016)
Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard
Cameras | Panasonic VariCam 35
Lenses | Cooke Lenses
Knights of the Roundtable: King Arthur (2017)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
The Ridiculous 6 (2015)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Guardians of the Galaxy Vol. 2 (2017)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood
Cameras | Red Weapon Dragon Camera
Lenses | Panavision Primo 70 Lenses
The Legend of Tarzan (2016)
Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day
Cameras | Red Epic Dragon Camera
The Wedding Ringer (2015)
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Tears of Steel (2012)
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens





























































