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Sony α7S II Camera | 15 Titles

Sony α7S II Camera 4.75/5 4 Votes

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Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Hacking the Wild (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

Editing by | Andrew Kimble

Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

American Animals (2018)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Starring | Spencer Reinhard, Warren Lipka, Eric Borsuk

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses | Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

Dark Side of Football (2021)

Television Series | 2D | Color |

Directed by | Jason Sklaver | Editing by | Daniel Holechek

Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera

Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

Empire Hotel (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 82 Minutes

Logan (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 137 Minutes

Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt

Starring | Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Flash (2014)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Prázdno (2016)

Short Film | 2D | UHD Project | Color | 1.78:1 (16x9) | 9 Minutes

Directed by | Jakub Havlík | Cinematography by | Jan Výbora | Editing by | Jaroslav Svoboda

Starring | Cristiano Donati, Marie-Luisa Purkrábková

Cameras | Sony α7S II Camera

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